臺南市車鼓表演及其音樂之研究－以「土安宮竹馬陣」與「慶善宮牛犁歌陣」為範圍

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題名:	臺南市車鼓表演及其音樂之研究－以「土安宮竹馬陣」與「慶善宮牛犁歌陣」為範圍
其他題名:	Tainan Chegu Performance and Music: Case Study on"Tu-An Gong Zu-Ma Zhen" & "Chin-Shan Gong Niu-Li-Ge Zhen"
作者:	呂旭華 Lu, Hsu-Hua
貢獻者:	民族音樂學系施德玉 Te-Yu Shih
關鍵詞:	牛犁歌陣;竹馬陣;車鼓 Niu-Li-Ge Zhen;Zu-Ma Zhen;Chegu
日期:	2014
上傳時間:	2014-11-19 15:09:53 (UTC+8)
摘要:	車鼓是臺灣民間的一種傳統表演藝術。由於車鼓的發展在臺灣有很久遠的歷史，和臺灣民間百姓有著密不可分的結合，非常多的婚喪喜慶、廟會活動和遊藝表演都是運用車鼓來呈現整體活動的主要內容。車鼓獨特的表演形式與類型，更融入於民間生活中。因此，車鼓在臺灣是個很重要的表演藝術，更是值得研究的主題。　　本文探討臺南市新營區土庫里「土安宮竹馬陣」和七股區竹橋村「慶善宮牛犁歌陣」，進而論述臺灣傳統藝術的重要性。首先梳理車鼓的定義及歷史背景；其次是探究「土安宮竹馬陣」的歷史背景、記錄分析表演形式、探究分析音樂內容、社會功能和宗教意義；其三，探討「慶善宮牛犁歌陣」內涵特色有歷史背景、記錄表演形式、分析音樂內容、探究社會功能與藝術性；最後論述比較這二團的歷史背景、表演形式、音樂內容和現今這二團車鼓團體所面臨的處境。　　期盼能為「土安宮竹馬陣」和「慶善宮牛犁歌陣」的未來發展有所助益，讓研究車鼓的同儕，可以透過筆者的研究內容進一步對未來車鼓之發展繼續研究。對於車鼓藝人的訪談紀錄，能提供車鼓音樂使用者及未來研究者作為資料文獻之參考。　　Chegu is a traditional performance in Taiwanese civil society. Due to the development of Chegu has long history in Taiwan; there is an inseparable connection between Chegu and the common people. Chegu has been used in weddings, funerals, temple fairs, and art performances to convey the main ideas of the functions. The unique ways it performs and even the styles are combined with the civil life. Thus, Chegu is an important performance in Taiwan and is a topic that worthy to study.　　This article is going to discuss the“Tu-An Gong Zu-Ma Zhen”in Tuku, Xinying Dist., Tainan City and the ”Chin-Shan Gong Niu-Li-Ge Zhen” in Zhuqiao, Qigu Dist.. Then we will talk about the importance of Taiwanese traditional art. First, we are going to clean out the definition of Chegu and its historical background. Second, we will research the historical background of the “Tu-An Gong Zu-Ma Zhen”and then record and analyze the performing types, the music, social function, and its religious meaning. Third, we will discuss the”Chin-Shan Gong Niu-Li-Ge Zhen” in the same topics that are mentioned above, but we will talk more about its artist quality. At last, we will compare the differences between the two teams and also the situations they face now. 　　Wish this article can bring positive effect to the“Tu-An Gong Zu-Ma Zhen” and the”Chin-Shan Gong Niu-Li-Ge Zhen” in the future. Through this research, hope it can help people who study Chegu. More, the recordings of the interview between the writer and the Chegu artists can be an useful information to the Chegu music adopters and the future researchers.
顯示於類別:	[民族音樂學系] 博碩士論文

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