變形．反變形－黃鼎鈞水墨繪畫創作論述

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Title:	變形．反變形－黃鼎鈞水墨繪畫創作論述
Other Titles:	Deformation．Reversible Deformation--The Discussion and Research of Huang Ding Jyun's Ink Painting Creation
Authors:	黃鼎鈞 Huang, Ding-Jyun
Contributors:	視覺與媒體藝術學系葉宗和 Tzong-Ho Yeh
Keywords:	環保;樹;數位輸出;水墨;變形 Environmentally friendly;Tree;Digital Output;Ink Painting;Deformation
Date:	2014
Issue Date:	2014-11-24 14:23:24 (UTC+8)
Abstract:	本研究從「變形ㆍ反變形」的研究中，綜合出「變形ㆍ反變形」是相反又相成，並具有形而上之抽象思考的內涵，亦同時也包含形而下之生態問題，創作技巧、媒材、作品品質等。從形而上的論點言「變形･反變形」乃是萬事萬物生成的規律，是一種不變的道，形而下而言，「變形･反變形」強調生態、形式多元化、多樣化，多樣化與一，是一體兩面，且統合在一起，才能呈現出藝術生命力。本研究的目的在於探討人和自然的生存互動關係，建立起「變形･反變形」的美學思想，並建構個人繪畫風格。　　為了更有效能的完成本研究，呈現個人獨特的繪畫風格，採行了哲學研究法、藝術史研究法、觀察研究法、行動研究法。以哲學研究法分析歸納和整理出美學內涵、美學理念；應用藝術史研究法，探討歷代藝術發展過程有「變形･反變形」的發展沿革及作品風格特徵與表現技法；應用觀察研究法，收集本研究主題樹木之生態，以作為創作的基礎；行動研究法強調創作過程中與創作理念的互動與個人創作的心得。　　「變形･反變形」的美學架構於多元化、多樣化與一的和合統一整體，是一種天人合一，不偏於人，亦不偏於物的美學特徵。為了體現和的、整體的，又具現在感、時代氣息的繪畫創作，變形、抽象、誇張、擬人創作四種類型，並將作品歸類為幾何系列、切割系列、黑白系列三種創作系列，藉此呈現個人的創作風格。　　創作研究過程是一種自我肯定的過程，也是一種自我否定的過程，在自我肯定中獲得研究方向。在自我否定中獲得超越的動力。從「變形･反變形」研究中感受人不能固步自封一成不變，要與時俱進，但也要遵守事物的發展規律原則。　　The study concluded “ deformation and anti-deformation ” is opposite and complementary to each other, and involved the metaphysical meaning of abstract thinking, but also has ecological issues. From the metaphysical perspectives, “deformation and anti-deformation” emphasized ecology, multicultural, and diversification to show the vitality of the arts.　　The purpose of this study was to investigate the interaction between man and nature to survive, establish deformation and anti-deformation aesthetics, and construct a personal painting style. In order to reflect the harmony of the painting, the whole, and flavor of modern creative painting, the researcher used deformation, exaggeration, abstract, and anthropomorphic types of creation. The creative works are classified as geometric series, cutting series, black and white series to show personal creative style.　　The study included philosophy, art history, observation, and action research methods to explore deformation and anti-deformation of ancient art development and focused on the creative process and ideas of interactive and personal creative experience and to collect the research topic- the ecology of “Tree.”
Appears in Collections:	[Department of Visual and Media Arts] Disserations and Theses

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