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    題名: 光復初期臺灣美術思潮之研究-以青雲美術會為例
    其他題名: Taiwan's Fine Arts in the Early Phase of post--colonial Industrialization: Ching-Yun Art Association
    作者: 黃子齊
    Huang, Tzu-Chi
    貢獻者: 視覺與媒體藝術學系
    謝碧娥
    Pi-E Hsieh
    關鍵詞: 台展;東洋畫;青雲美術會;府展
    Taiwan Art Exhibition;Japanese Painting;Ching-Yun Art Association;Taiwan Governor Art Exhibition
    日期: 2014
    上傳時間: 2014-11-24 14:23:26 (UTC+8)
    摘要:   青雲美術會乃是台灣光復初期第一個成立的民間美術團體,自1948年起至1988年前後歷經四十回展出,見證了台灣美術的發展,也呈現光復初期美術史的重要脈絡,擁有其特殊歷史意義與價值。本論文從日治時期至光復初期的美術活動進行探討、分析,並以青雲美術會為論述主軸,除了既有資料的蒐集,並藉由深度訪談、歸納整理、審視其發展形式與特徵,探討畫會的崛起與時代背景。  論文共分五章:第一章「緒論」,研究動機從個人先祖父黃江海談起,並述及論文研究方法與架構,以及論文撰寫過程中預期和經歷的難點。第二章「日治時期至光復初期台灣美術的變遷」,探討日據時期至光復初期的政、經、社會、文化的變革,及此時官辦美展與台灣美術的變遷。第三章「青雲美術會的崛起與蛻變」,從畫會的起源與發展談起,探討青雲美術會成員結構,青雲與台陽畫會的延續互動。第四章「青雲美術會畫家作品析論」,分析歷屆青雲展的呈現,青雲美術會畫家及畫作,青雲美術會的崛起與蛻變。  最後藉由以上研究,得以瞭解青雲美術會發展軌跡,及其與台灣美術發展的互動關係,補足台灣早期美術發展的重要史料與資源。以做為後續研究者之參考。
      Ching-Yun Art Association was the first to established folk art groups in the early retrocession of Taiwan's, since 1948 until 1988 after forty exhibited, it has witnessed the development of Taiwan’s art, also showed an important context of retrocession art history, and has their special historical significance and value.  In this thesis, Ching-Yun Art Association will be for the spindle in the Japanese colonial period and early retrocession period, and be Collation, analysis, data collection in art, by induction, examine the develop of painting , to investigate rise condition and historical background of its .  This paper is in five chapters as the research framework," Chapter I: Exordium", the researching motive is from individual grandfather, Huang Jianghai to mentioned, and spoke of research methods and architecture, as well as the expected and the experience difficulty during writing process. "Chapter II: Japanese colonial period to the early retrocession period of Taiwan art Changes", discussion the Japanese colonial period to the early recovery of the political, economic, social and cultural change, and this time government-run art exhibition with the Taiwan art change." Chapter III: Rise and decay of Ching-Yun Art Association ", from the origin and development of painting to talked about, discussion membership structure of Ching-Yun Art Association, and Continuation of interaction at Ching-Yun Art Association with Taiyang Art Association."Chapter IV: Analytical discussion the paintings of artists in Ching-Yun Art Association ", analysis and rendered that successive of Ching-Yun Art Association, and painters and paintings, and the rise and decay of Ching-Yun Art Association."Chapter V: Conclusion".  With this study to understand the historical context of Ching-Yun Art Association, and keep an important historical data and resource in Taiwan early art development.
    顯示於類別:[視覺藝術與設計學系] 博碩士論文

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