本論文乃是個人藝術創作－「面具」設計的創作論述，並以「偽裝、圖騰、神話」為面具創作的論述主軸。形態設計以半立體造形、立體造形為主，將二度空間平面以解構、重組、疊合方式來組合產生所有形體。 筆者藉由面具的半立體造形、立體造形的非洲原始面具及現代面具系列來產生各種圖騰創作。以點、線、面與色彩等形體組合，來表達多樣豐富的圖像為個人創作風格。 本創作論文以五章來創作說明：「第一章 緒論」、「第二章 藝術史中的傳統面具造像」、「第三章 偽裝、圖騰、神話與面具造像：﹙1﹚偽裝形式的面具﹙2﹚圖騰與面具﹙3﹚儀式、神話與面具」、「第四章面具創作理念、媒材、與形式「第五章 結論」。 筆者期望經由本研究創作能提升自身美感與造形藝術創作。 In this thesis I design my individual artistic creation by the creative discourse of mask, which is discussed in three parts: Camouflage, Totem and Myth. The configuration design of mask is consisted of semi-solid and three-dimensional formation by decomposed/restructured/folded the two dimension plane. I express my personal creative style by the diverse images combined with point, line, surface, color and light. The thesis is divided into five chapters to describe my creative idea:Chapter one: Introduction,Chapter two: Traditional mask images in art history,Chapter three: Camouflage, totem, Myth and Mask image---(1) Camouflaged mask (2) Totem and Mask (3) Rituals, Myth and Mask, Chapter four: Creative ideas of mask, Media of mask and Formation of mask by Lin Hsiu Lien,Chapter five: Conclusion. The aim of this study is to enhance personal aesthetic and creative idea in artistic formation.
