舞動五觀意象－沈香齊立體造形創作論述

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题名:	舞動五觀意象－沈香齊立體造形創作論述
其它题名:	The Apllication of Five-sense Image--Three-dimensional Works created by Hsiang-chi Shen
作者:	沈香齊 Shen, Hsiang-chi
貢獻者:	視覺與媒體藝術學系林正仁 Cheng-len Lin
关键词:	五觀感知;意象;造形 modeling;image;the five organs of sense
日期:	2012
上传时间:	2015-01-08 10:07:09 (UTC+8)
摘要:	本論文乃研究我們臉上感知世界表象的五觀與其心靈的面相。創作五觀與其意象之相遇所產生的可能性，表演出一場視覺感官的華麗震撼！臉上的五官其實指的就是「耳、眉、眼、鼻、口」等五種人體器官。分別對應著視覺、聽覺、嗅覺、觸覺和味覺。人類除了以語言溝通外，「五官表情」亦扮演重要的溝通角色。　　　五官的形狀與位置都是有喜、怒、哀、樂…的表情，這些五官單元將成為筆者創作造形的元素，並轉變為一個“造形語彙意涵的表達”，透過千變萬化的表情經拆解、重疊之虛擬想像與改變再運用錯位、疊合、重組、遊戲，學習幽默和情緒的認知與表達等手法，來創造具有新意象之立體造型作品。本創作研究方式是以實際創作與理論的探討相互整合，目的以生命的生活角度思考，「生命」是自然大宇宙，「臉相五觀」是個人小宇宙，臉是代表著一個人的門面、代表著形象，這一直是一個讓我有興趣也富有挑戰性的研究領域。五觀的位置並非完全被分開，其實彼此之間帶有著連貫的關係，五觀表情呈現出善良與邪惡、交織混融出多姿多彩的風貌與多重隱喻。蘊含著人們之間情感的自然關懷與生命體驗，人類如何運用自己所熟悉的五官，顯現表達的意境表情與內在之相互關係，筆者透過各藝術等多元化媒材，重新審視臉與五觀形塑變化之間的關係，以便使我們的五觀以不同的方式呈現自己與被理解。透過上述的工作，可以表現出筆者的雕塑造型具有創作風格。　　　筆者之創作最後依上述之理念，發展出三大系列作品，分別為一、「寓意說」系列，二、「夢境意象」系列，三、「記憶與逗趣」系列。　　In this paper I would like to research the five organs on ours face which feel the world, and the appearance of its mind. My creation shows the possibilities that are produced in the meetings between the five organs and its images, and performs a gorgeous shock for us. The five organs mean that eyes, ears, nose, mouth and eyebrow living together. It is relevant to our five senses which can play an important role for communication besides language and show different expressions as like, anger, sorrow and happiness etc. I choose it as an element for my creation and transfer it to an expression of meaning of modeling vocabulary, try to analyze it and make a creation of works which imply a new impression by means of dismantling the manifold facial expressions, overlapping, recompositing the virtual imaginations, dislocations, games, learning humors and different expressions of cognition of mood. My paper is a combination between real creation and theory, its purpose is a thinking on life. Life is a big world. Our five organs are but combined together and become a small world. And our face shows our images and the styles and metaphors between ours goodness and evil. Our five organs imply the concern and experience, and show the inner relationship of our feelings. I try to observe the relation between our face and its deformation of the five organs through different arts in order to show the ways by which the five organs appear it and can be understood. According to those ideas I think that my modeling sculpture can show a creative style. My works of creation develop itself in three series, namely: 1. Meanings, 2. Dreams and images, 3. Memory and fun.
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