動物狂想曲—夏欣恬繪畫創作論述

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Title:	動物狂想曲—夏欣恬繪畫創作論述
Other Titles:	Animal Rhapsody--The Thesis of the Painting Works of Hsia, Hsin-Tien
Authors:	夏欣恬 Hsia, Hsin-tien
Contributors:	視覺與媒體藝術學系碩士班羅雪容 Hsueh-jung Lo
Keywords:	黑色喜劇;黑色幽默;荒誕;動物 black humor;absurdity;Animal;black comedy
Date:	2011
Issue Date:	2015-03-03 10:12:59 (UTC+8)
Abstract:	本創作研究以「動物狂想曲」來探討動物與人之間的關係，建構筆者藝術表現形式。創作只是一種生活點滴的反思與體悟，藉著畫筆說話而已。希望透過熟悉的思考模式配合生活經驗及領悟，以線條、色彩以及動物的造型來表現，期望畫面透過兩者的結合來演譯不同的事件，同時藉由對黑色幽默的初探得到理念上的提昇。　　　在此次的創作過程中，黑色幽默是本論文主要探究的課題。本研究運用文獻探討澄清創作思維，建構此創作之理念，並以此來針對有關美學理論及藝術作品做文獻探討，統合創作概念加以分析、解釋以形成結論；創作的實踐使用品質思考法與行動研究法來調節作品的品質，更藉此釐清之前的混沌之處，找出自體存在的價值，建構筆者的創作理念，發展出創造表現的新方向。　　　本論文內容大致分為五個章節，茲簡述如下：第一章緒論，主要闡述研究的動機、目的和研究方法、研究範圍，研究的架構與步驟和名詞釋義。第二章學理基礎，幽默和黑色幽默的定義和黑色幽默的起源、歷史背景與定義，以及將黑色幽默心理面向及西方繪畫史中作品含有黑色幽默並有動物形象的畫家，做一個簡單的介紹，並經由歷史的層面，探討動物與人類社會長久以來的共存關係，追溯西方動物畫的發展趨向。第三章主要闡述繪畫創作理念、藝術形式與創作表現之內容分析。第四章，將作品做約略的風格解析，以筆者創作的理念做簡要的說明，透過創作形式的了解，依意圖表現、造型、色彩、構圖…等來說明陳述創作理念和創作形式，並對作品加以詮釋。第五章結論，對本論文之研究作總結，提出綜合性結論，以及對未來發展方向的省思。　　Through the “Animal Rhapsody” series, the artistic value will be communicated though the analysis of the relationship between animals and humans. Artistic creativity comes down to the understanding and experiences of the little things in life, spoken through the words of a brushstroke. And with the combination of the artist’s self-interpretation of everyday life and artistic techniques, a new scenario and concept will be explored through analysis of black humor.　　　During this process of artistic development, black humor is the key topic of this paper. The study employs literary discussion to clarify the artist’s creative thinking, to construct the artist’s artistic intent, and to offer literary discussions focusing on related Art theories and art works while organizing the artist’s personal creative concepts by means of examinations and explanations, to reach its conclusion. On the other hand, the practice of the creativity applies the Quality thinking method and Theory analysis method to calibrate the quality of the art work as well as to further distinguish the past ambiguities in order to find values of self-existence and to establish the artist’s artistic intent while developing a new direction for creativity expression.　　　This thesis contains about five chapters, summarized as follows: First Chapter, Introduction, mainly describes the motive and the goal behind this study and the study’s methods, coverage; as well as the framework and steps of the study and explanations of its vocabularies. Second Chapter, Theory Foundation, briefly introduces the definitions of humor and black humor, the origin and historical background of black humor as well as the psychological side of black humor and the artists whose works containing black humor and animal images in the western art history. Furthermore, from a historical point of view, it examines the coexisting relationship between animals and humans by tracing the progression of western animal art. Chapter Three mainly describes the artistic intent behind the paintings, analysis of their art forms and creative expressions. Chapter Four gives a brief style analysis on the artist’s work and a succinct overview on her artistic intent. Based on the understanding of my own art style, my outlines my artistic intent and art style as well as explanations on my work in regards of expression, style, color, sketches, etc... Chapter Five, Conclusion, reaches a final conclusion for the study of this paper and offers a comprehensive closing statement and contemplation on the direction of future progression.
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