| 摘要: | 書法是中國固有的文化象徵，也是最足以代表中華民族精神特色的藝術之一。隨著時代更迭，當筆墨再度相遇，文字擺脫了「符號」存在的禁錮，融入現代思辯精神，開拓了「書法」的創新思維，在餐旅空間中找到了新的定義與存在價值，也讓觀賞者重新領略到書法更大的生命力。本研究旨在探討餐旅空間融入書法藝術之意象思維，經由文獻蒐集、深度訪談及參與觀察，對於餐旅空間規劃之美感、情境、跨界與知覺議題進行分析。研究結果發現，書法美學意象介入餐旅空間，餐旅經營者兼創作者對於美感情境塑造自成一格，能夠喚起觀賞者人生記憶的共鳴，進而產生主客交融之美感體驗，凝聚空間與書法之情境意象，建構出跨界對話之互動知覺。
Calligraphy is inherent cultural symbol in Chinese, and also one of the most representative characteristics in the national spirit and art. With the change of the times, when the pen and ink encounter again, the words get rid of the exist restrictions of "symbol" , integrating into the modern spirit of thinking, developing the innovation in "calligraphy", finding the new definitions and exist value in the hospitality space, and also allowing viewers to enjoy the greater vitality of calligraphy.This study aims to explore the imagery thinking on the art of calligraphy within the hospitality space,through literature research, in-depth interviews and participant observation, analyzing with the hospitality space planning on the issues of aesthetics, situation,cross-border and perceptions. Results showed that, the aesthetic images of calligraphic within the hospitality space, the operators- as- creators have different styles on their aesthetics context, will arouse viewers' resonation memories of life with, and consequently, producing the subjective and objective fusion in the aesthetic experience, condensing the image of space and Chinese calligraphy, constructing an interactive perceptions of cross-border dialogue. |
