南華大學機構典藏系統:Item 987654321/19332
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    题名: 漢代漆器研究—以揚州地區的考古發現為例
    其它题名: Study on Lacquer of Han Dynasty--Take the Yangzhou area archaeology discovery as the sample
    作者: 李宗鈴
    Lee, Tsung-ling
    貢獻者: 美學與視覺藝術學系碩士班
    龔詩文
    Shih-wen Kung
    关键词: 鳥雲紋;鳳鳥紋;漢代漆器;雲氣紋;漆器;紋飾;雲鳥紋
    Lacquer-ware in Han Dynasty;Bird-Cloud Design;Cloud Design;Phoenix Design;Lacquer-ware;Cloud-Bird Design;Veined Decoration
    日期: 2009
    上传时间: 2015-03-12 16:18:24 (UTC+8)
    摘要: 　　近年來由於中國漆器的大量考古發現，開展漆器研究之路。漢代漆器是長時間發展的中國漆器工藝史上的第一個顛峰。西漢早期漆器以湖北、湖南出土為主，西漢中晚期漆器則以揚州及其附近地區出土數量較多且集中，呈現出漢代漆器之大致面貌。　　　漢代漆器是人們的日常生活用具，上面必然有著當時人們的社會文化觀和審美意識。西漢早期在文化藝術方面，楚漢文化一脈相承，是戰國時期楚文化的延續和發展，紋飾中充滿象徵之鳳鳥符號。紋樣主題一旦出現之後，會不斷再現，形成一種藝術傳統。隨著政經統一，文化融合，漆器紋飾在崇尚黃老之術、追求長生不老、羽化成仙等觀念影響下，造就雲氣紋在漢代裝飾造型藝術中的普遍流行。　　　本研究旨在探究漢代漆器鳳鳥紋飾之形式內容，及其向雲氣紋演變的內在聯繫，探尋出屬於中國漆器裝飾紋樣的藝術創造力。因此，本文由漢代漆器的淵源探究起，再進行漢代漆器銘文、工藝製作、器形的探討，以了解漢代漆器紋飾製作過程。以漢代漆器紋飾的內容、類型、設計原則、演變現象為主軸。進一步透過西漢中晚期揚州地區出土之漆器紋飾風格，深入分析論述雲氣紋的演化過程。
    　　During recent years, due to substantial discoveries of archaeological excavation in Chinese lacquer-ware, the development of research on lacquer-ware has begun. Lacquer-ware in Han Dynasty was the first peak with long-term development in the history of Chinese lacquer-ware craft. In Early Western Han Dynasty, the lacquer-ware was excavated in Hubei and Hunan mainly; in Middle and Late Western Han Dynasty, the lacquer-ware was excavated in Yangzhou and its surrounding areas mostly and intensively; the approximate feature of lacquer-ware in Han Dynasty was shown accordingly.　　　Lacquer-ware in Han Dynasty used to be daily commodity in people's life, which were bound to show people's social and cultural values as well as awareness of the beauty at that time. In culture and art in Early Western Han Dynasty, the Chu-Han Culture was derived from the same origin, and it was the extension and development of the Chu Culture in the Warring States Period; the veined decorations were filled with symbolic phoenix symbols. Once a theme of vein pattern showed up, it would showed up continuously, forming a kind of artistic tradition. As the politics and economy were united and the cultures were integrated, under the influence caused by the concepts such as the advocacy of Huang-Lao Art, the pursue of forever young life, and the transformation into celestial beings, Cloud Design became widely popular in the art decoration in Han Dynasty.　　　This study intends to explore the forms and the contents of veined decoration of Phoenix Design on lacquer-ware in Han Dynasty, as well as its evolutionary internal connection with Cloud Design, to seek the creativity of art belonging to the decorative vein patterns on Chinese lacquer-ware. Therefore, this study has begun with the origin of lacquer-ware in Han Dynasty, and then proceeding with the exploration of epigraphs, craftsmanship, and vessel shapes of lacquer-ware in Han Dynasty, so as to understand the production process of veined decoration of lacquer-ware in Han Dynasty. The main axis is based on the contents, types, principles of design, and appearances of evolution regarding veined decoration of lacquer-ware in Han Dynasty. Furthermore, through the styles of veined decoration of lacquer-ware in Middle and Late Western Han Dynasty excavated in Yangzhou area, the process of the evolution of Cloud Design has been analyzed and discussed in depth.
    显示于类别:[視覺藝術與設計學系] 博碩士論文

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