| 摘要: | 張卓(1898~1975)，字立卿，號冠英，又號墨禪，生於臺南州斗六郡斗六街(今斗六市)太平路，為今天雲林縣斗六市的區域漢詩作家，一生歷經日治時期及國民政府時期，中晚年之後才開始創作漢詩，留下了近千首詩歌與詩鐘，年幼時接受文秀才黃紹謨的指導，19歲之後東渡日本留學，直到27歲父親張淮去世，才斷了學業回臺繼承家業，經營品芳堂西漢大藥房，之後都未曾搬離斗六，直至終老。 本論文的整理與研究係以張立卿及其漢詩作品為分析對象，重點在於其漢詩作品內涵、創作手法與藝術特色，輔以目前所掌握的相關文獻資料，以六個章節來做論述，緒論為敘述研究動機與目的，說明研究方法與研究範疇，並述其所蒐集到的資料出處及整篇論文的流程。論文中有幾項重點，首先是對詩人的家世生平進行闡述，再者對其在文人交遊與詩社活動之情形做出說明，使得其時代背景明瞭；其二是以《張立卿詩草》中蒐羅到的作品為參考依據，對其作品進行整理分類、分析作品所用的題材與所蘊內容涵意，並就詩人作品的藝術特色及創作手法析論；爾後探討詩人的漢詩風格，從塑成原因及詩風兩方面來論述，其四是延伸出新的思考方向，論述張立卿在那個漢詩已然衰退的時代，選擇傳統漢詩創作這條路的原因，還有他給予自己在文學的定位；最後結論，總結全文各章所述，冀求本論文能對後續相關臺灣文學家的研究有更進一步的貢獻。
Cho Chang (1898~1975), also known as Li-ching, Kuan-ying and Mo-chan, was born at Touliu St., Touliu Prefecture, Tainan State (currently Taiping Rd., Touliu City). As a Chinese poet in Touliu City, Yun-lin County, Chang had been lived through the Japanese Colonial Period and National Government Period during his life. Change did not start his career of writing Chinese poetries until his mid-age and had created nearly 1,000 poetries, songs and verses. He studied under Shao-mo Huang, a gifted scholar at an early age, and in Japan from the age of 19 to 27. He ended his studies and returned to Taiwan to run his family business—Pinfangtang Western and Chinese Drug Store at the age of 27 after his father, Huai Chang, passed away. He spent the rest of his life in Tou-liu until his death. This paper focuses on Li-ching Chang and his Chinese Poetries, particularly the content of his Chinese Poetries, creation techniques and artistic features. With the currently available data, this paper is divided into 6 sections. The introduction explains research motivations and purposes, research methods and research range, the sources of the collected data as well as the process of the entire paper. The first section gives a description of the poet’s background information, family, life and friendship. The second section classifies the integration of Chang’s works, analyzes the materials applied in the poetries and the content and meaning of the works as well as the artistic features of Chang’s works and creation techniques based on the its references from “The Poetries of Li-ching Chang”. The third section discusses the background of Chang’s transformation into a Chinese poetry creator and Chang’s decision of taking the road as a Chinese poet during the period which the status of Chinese Poetries had declined. |
