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    題名: 速度美學的探討―以台北當代藝術館「咻」(Shoot)展與「慢」(SlowTech)展為例
    其他題名: A Study of the Aesthetics of Speed--Taking Examples of the "Shoot" Exhibition and "SlowTech" Exhibition
    作者: 廖明政
    Liao, Ming-cheng
    貢獻者: 美學與藝術管理研究所
    吳介祥
    Chieh-hsiang Wu
    關鍵詞: ;速度;美學;
    fast;speed;aesthetics;slow
    日期: 2007
    上傳時間: 2015-04-20 15:32:17 (UTC+8)
    摘要:   人們對於速度的運用以及追求,不斷地朝向愈來愈快的境地發展,如此之現象不只是大大地改變了人們的生活,甚至也成為了藝術創作所關注之議題。    本研究以台北當代藝術館(Museum of Contemporary Art Taipei)於二○○六年舉辦之二個展覽為例,分別是「慢」(SlowTech)展與「咻」(Shoot)展,探討此二展覽分別觸及之速度相關議題。    第一章部份先就速度與時間、空間之間的關係進行說明,接著回顧未來主義(Futurism)與快速度之間的關係,最後則是針對近來蔚為潮流之緩慢運動提出分析。    第二章部份則是就速度運用之普遍現象,尤其是交通運輸、網際網路提出相關文獻調查之數據,進而觀察與探討其中所顯示出來人們對於快速度之追求;另外,快速度獲取之重要媒介之ㄧ的消費行為,以及其本身不斷產生快速變化的過程,亦是文獻探討的重點。    第三章先就科技對於快速度運用以及科技製品所產生之快速度對於藝術之影響進行探討,接著對「慢」(SlowTech)展與「咻」(Shoot)展所觸及之速度與藝術、生活之相關議題進行分析與研究,最後針對人們對於快與慢的需求進行探討。    第四章主要就速度美學進行檢視,首先是跳脫快與慢相互比較所得出之外的速度,分別涵蓋事件與效率之速度,快、慢二元定義之於速度之省思,以及面對與使用態度對於速度歸類所產生之影響。接著則是深入地對於科技工具對於速度與藝術所產生之影響、速度與科技媒體藝術之間的關係,以及速度議題之相關藝術展演進行探討與研究。    第五章則是對於速度對時間與空間感知的影響、速度的需求與面向、科技對於藝術和速度與時間的影響,以及藝術和速度之間所產生之關聯提出結論。
      Nowadays people are trying every possible way to travel and do things faster, from which we see the emergence of a continuous trend to make application of speed and pursuit of speed. This phenomenon not only has changed our lifestyle significantly, but also becoming an interesting topic of discussion for artistic creativity.     This study is to explore the notion of speed, which is the main idea underpinning the two exhibitions held at the Museum of Contemporary Art Taipei in 2006, for which their titles are ‘SlowTech’ (meaning slow speed) and ‘Shoot’ (meaning fast speed) respectively.    Chapter One, the fundamental relation between speed, time, and space are introduced, and then followed by a review of the association between futurism and speed. Finally the prevalent style of ‘slow motion’ is closely studied.    Chapter Two, the widespread use of high speed especially in transportation and Internet access are supported by statistical data obtained from other publications, from which we understand the phenomenal need for high speed to satisfy their sensations. Also, the consumer behavior is an important impetus for achieving their goals of speed and efficiency in transactions. The process of their fast transformation is another topic in this paper.    Chapter Three will discuss how the high-tech makes application of speed, and how speed delivered by technology products influences arts development. The interplay between speed, art, and life as demonstrated in the ‘SlowTech’ and ‘Shoot’ exhibitions are carefully examined. Finally we ponder on what kind of needs we have for fastness and slowness.    Chapter Four, the aesthetics of speed is examined covering such notions as incidence and efficiency, casting aside the conventional comparison of fastness and slowness, but instead, the meaning of these two notions are defined in terms of relative speed. Also, our attitudes toward different classes of speed and their influences are discussed. An in-depth analysis to find out to what degree the scientific tools have played upon speed to influence arts, and then the relation between speed, technology, and media, and the use of speed for art performance are studied.    Chapter Five, this study attempts to draw a conclusion on various topical discussions including the influence of speed on the elements of time and space, the demand for speed, their different aspects, the technology influence on arts and speed, and the interrelationship between arts and speed.
    顯示於類別:[視覺藝術與設計學系] 博碩士論文

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