本篇論文是對中國傳統文人園林空間的研究，藉由《文衡山拙政園詩畫冊》與相關史料之研讀與考察，期能對中國四大傳統園林中之一的拙政園有進一步的論述，並嚐試建構出明代拙政園的造園理念與其園林意境。 本論文主要分四部分： 1.中國文化與自然山川的關係密切。在藝術方面，詩、畫、園林相互影響。本論文首先論述三者的關係，包括「詩、畫、園林」其思想背景。 2.明代江南園林達到了中國園林藝術的高峰，《文衡山拙政園詩畫冊》記錄了明代造園理念與思想，也是集合了、詩、書、畫與園林藝術表現之精華，因此進行研究與理解《文衡山拙政園詩畫冊》時，也以詩境、畫境、實境三種影像的閱讀與進行交叉對比。 3.本文透過詩詠、繪畫的空間影像的做一關係分析，並對《文衡山拙政園詩畫冊》詩、畫藝術的形式與內容，提出造園理念、空間佈局及其精神內涵的類比進行詮釋。 4.以“遊”的觀念貫串《文衡山拙政園詩畫冊》中所記錄的思想觀、審美觀、設計觀，整理出拙政園整體的園林意境思想。 An English Excerpt This thesis deals with the traditional Chinese literatis’views toward garden space. By careful studying and on-the -spot investigation of lots of the related historical Records, I would present more detailed description about the Cho-cheng garden, which is one of the four biggest traditional Chinese gardens. Also I would try to establish the idea of Cho-cheng-yuan of Ming Dynasty and its artistic conception. The main four parts in this dissertation: 1.The close relation between Chinese culture and mountains & rivers. In art respect, poetry, drawing and garden interplay each other. Firstly the thesis depicts the concept background of the poetry ,drawing and garden. 2.The structure of Chiang-Nang Garden reach the artistic climax in Ming Dynasty. The building methods and its concept were recorded in drawing anthologies of Wen Heng-Shan Cho-cheng-yuan, showing the quintessence of garden art. So I would say that we have to use the three images by crossing contrast --- poetry, drawing and garden--- when we appreciate it. 3.I analyze the correction of the spacious images of the drawing through reciting the poetry. I present the constructional ideas , spacious layout and cultivation spirit. 4.Through using the idea of traveling, I depict the overall meaning of garden to reflect the philosophy of thinking , beauty appreciation, and design in the anthology of Cho-cheng-yuan.
