美術館蒐藏品採購鑑價之研究－以國立台灣美術館為例

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Title:	美術館蒐藏品採購鑑價之研究－以國立台灣美術館為例
Other Titles:	A Study of Procurement Appraisal on Collections of Art Museums--A Case Study of National Taiwan Museum of Fine Arts
Authors:	陳碧珠 Chen, Bi-ju
Contributors:	美學與藝術管理研究所陳國寧 Kuo-ning Chen
Keywords:	藝術品採購;美術館;藝術品蒐藏
Date:	2004
Issue Date:	2015-07-06 16:27:04 (UTC+8)
Abstract:	本論文計分五章，第一章緒論：乃就本文之研究動機、目的、方法、架構、範圍、限制、文獻回顧、名詞解釋等作敘述。第二章美術館蒐藏品採購策略之探討：選例探討歐美美術館蒐藏品採購策略，包括英國泰特畫廊「冒險式」的收藏策略，法國「國家博物館聯盟」負責國立博物館（美術館）典藏品蒐購計畫之審核，美國私人美術館籌募蒐藏經費及古根漢美術館的「跨國連鎖經營」等策略；選例探討東亞美術館包刮日本、韓國、新加波美術館對藝術品蒐藏策略之運用；探討台灣地區三個公立美術館蒐藏品的採購策略，本章主要在探討採購策略對美術館的影響。第三章美術館採購蒐藏品之方式：本章主要針對美術館採購的面向作分析，就美術館如何與藝術家、收藏家、畫廊互動，瞭解藝術家、收藏家、畫廊出售藝術品的情境，及如何掌握購藏的先機，暨如何參與藝術品拍賣市場的競標。第四章國立台灣美術館價購典藏品之個案分析：首先，就國立台灣美術館典藏制度之現況切入，其次，選書法、油畫、膠彩畫共三類，自七十六年度至九十二年度蒐藏作品的內容、預算、價格與國民所得之關係作分析，並選數位藝術家作品的蒐藏價格與市場價格的脈動作探討，再則，就國立台灣美術館與其他公立美術館蒐藏價格作選例比較。就個案探討如何以公開、公平、效率及尊重的方式蒐藏藝術品，創造藝術家與美術館雙贏的局面。第五章結論與建議：研究發現，目前公立美術館的典藏政策並未彰顯各館的特色，缺乏考據鑑定人才，採購流程過於繁複，年度預算經費偏低，畫廊代理藝術家的經纪制度不健全，藝術市場未有客觀的定價參考指數，對台灣前輩藝術家的畫價，確實存在一些人為炒作的現象。由研究歸納四點結論，一、公立美術館應依各館的屬性及未來發展方向擬定短、中、長程蒐藏計畫；二、美術館應建立的有效蒐藏機制；三、藝術家可參考「藝術品合理定價的參考指數」訂定合理售價；四、藝術市場應回歸正統的經濟市場。最後，提出本論文所衍生可供後續研究之議題。　　The dissertation was divided into five chapters. The first chapter “Introduction” made descriptions of the research motive, objective, method, structure, scope, restriction, documents retrospect, and terms interpretation. The second chapter “The Discussion of Procurement Strategies of Art Museum Collections:” I selected the examples to explore the purchase tactics of collections of art museums in Europe and the USA, including the “adventurous” collection strategy of Tate Gallery in England, the French Reuniondes Museum National’s being responsible for the examination of the collection purchase projects for national museums (art museums), the private American art museums’ collecting funds, and Guggenheim Museum’s tactics of “transnational chain operation;” I also selected examples to discuss the manipulation of the art works collection artifices of East Asian art museums, including the ones in Japan, Korea, and Singapore; I probed into the collection procurement tactics of three public art museums in Taiwan; the chapter was mainly to investigate the affection of purchase strategies on art museums. The third chapter “The Methods of an Art Museum’s Purchasing Collections:” The chapter chiefly made analyses of the procurement objects of art museums, concerning how an art museum had interaction with artists, collectors, and galleries, how it understood the artists, the collectors, and the circumstances of a gallery’s selling art works, how to grasp the first and foresight opportunities of collection, and how to participate in the competitive bidding activities in the art works auction market. The fourth chapter “The Analyses of the Case of National Taiwan Museum of Fine Arts’ Collection Appraisal and Procurement:” First of all, I entered the theme from the present conditions of National Taiwan Museum of Fine Arts’ collection system; secondly, I chose the calligraphy, oil painting, and eastern gouache painting, made analyses of the relationships among the collections’ content, budgets, prices, and the national revenue from 1987 to 2003, and elected the topic of the collection prices of works of digital artists and the pulse of the market’s prices to make discussions; furthermore, I selected examples and made comparisons of the collection prices between National Taiwan Museum of Fine Arts and other public art museums, and from the case, discussed how to collect art works with the manners of being open, fair, efficient, and respectful, and create the win-win state between artists and art museums. The fifth chapter “Conclusion and Suggestions:” Presently, the collections of public art museums do not manifest the features of each museum, the art museums lack for the talents of textual criticism and appraisal, the procurement process is exceedingly complicated, the annual collection budget is low, the brokerage system that a gallery acts as agent for an artist is unsound, the artistic market does not have an objective pricing reference index, and the phenomenon of artificially bidding up prices for the works of senior artists in Taiwan actually exists. From the research, the suggestions were concluded as follows: I. The public art museums should draft the collection policy in accordance with the property of each museum and the future development trend. II. The art museums should establish an efficient collection mechanism. III. The artists can refer to “The art works’ reasonable pricing reference index” to make the rational selling price. IV. The artistic market should return to the legitimate economic market. Finally, I proposed the issues that were derived from this dissertation and that could be useful for the follow-up researches.
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