| 摘要: | 本論文研究旨在探討「吾家印記」的繪畫創作方式與成果。創作理念主要來自於家庭生活經驗與家庭情感的累積，將家庭中人、事、物所構成日常生活的精彩片段轉化為觸動內心創作的主力，藉由創作實踐，讓原本存在於內心深處對於家的印記可以清晰的呈現出來。筆者以行動研究法和理論分析法，透過實際創作行動的實施執行和理論的探究，讓研究順利實踐並從中得到藝術專業知能。根據所擬定之創作目的，加以檢視後得到結論如下四點：一、完成以家為主題的創作題材，經由本創作研究的過程，以藝術形式表現家庭的溫馨與美好。二、蒐集與家的主題相關之藝術哲學觀點、藝術創作學說、藝術流派的文獻作為理論基礎，釐清本研究之理論脈絡，有助於論文之撰寫。三、完成以自身家庭的印記為主題的系列作品，從中獲得純熟的油畫表現技法，樹立屬於個人生命體驗之油畫風格。四、從創作研究的各個階段性過程中，汲取豐富的藝術知識，增進自己的藝術涵養，增廣自己的創作視野。
This essay aims to unfold a working process and the final outcome for ‘The Imprint of My Family’. This project is originated from the assemblage of one’s own sentiments, emotions and experiences in family life; and through transforming those treasurable moments into art works by integrating people, events, and objects, this project reveals an inner impression towards memory and affection. The author explores the discourses on methodology and adopts the fashion of action research, in which praxis and theories are outlined in equal measure, to achieve an improved competence both intellectually and technically. As examining the goals set previously for this project, there are four notable points worth carrying into conclusion. Firstly, while this project is on the theme of home, it requires practices and researches to built up the feeling of warmth and intimacy, and furthermore conveys them through the form of art. Secondly, in order to unravel this essay logically for its working progress, it is helpful to seek for ideas in the fields of methodology on creative practices, philosophy, art theories, and those archives in different art movements. Thirdly, through a project like this, exploring the imprint of one’s own family, the acquisition is not only about an improved skill nor better expression on oil painting but also about establishing a painting style embedded with one’s own personal experiences of life. Last but not least, a richer collaboration of intellect and of insight towards art is generated by reviewing each stage in this project. It broadens one’s horizons on creative production. |
