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    題名: 臺灣藝術漆作之風格分析研究
    其他題名: A Study on Faux Finish Artistic Style in Taiwan
    作者: 林裕強
    LIN, YU-CIANG
    貢獻者: 視覺與媒體藝術學系
    葉宗和
    YEH, TZONG-HO
    關鍵詞: 風格;彩繪;氛圍;質感;藝術漆作
    paint;atmosphere;texture;faux finish;style
    日期: 2016
    上傳時間: 2017-12-08 14:55:45 (UTC+8)
    摘要: 　　藝術漆作在臺灣的發展與名稱建立，從早期的油漆平塗，至今已成為，運用不同的塗料種類特性，發展出具獨特性的藝術作品；在空間色彩應用的思維與喜好的接受度，也由白色系列塗刷演進至多種色系，甚至可規劃成特殊風格的牆面，而延伸出具有獨特性與不可取代性之風格樣式。但是「藝術漆作」一詞在大眾的認知與解釋下，仍存在著相當大的差異性，往往需加強說明藝術漆作的相關專業知識，才得以讓民眾分辨出藝術漆作與一般油漆塗刷的差異。因此如何透過脈絡與系統式的分析研究，探討藝術漆作所蘊含的緣起、技術、深層意義與精神，誠為本論文研究主要動機之所在。　　本論文所研究之目的，在於探討藝術漆作在臺灣的發展現況與脈絡。為使本研究更臻完善以及系統性，也冀望透過此研究讓大眾更了解藝術漆作產業之發展性，故研究者將先以文獻回顧探討藝術漆作發展脈絡，包括臺灣藝術漆作的現況及其應用面向上的色彩、造形、材料、空間等美學型態，接著再透過個案研究法、深度訪談法、問卷調查法和風格分析法等研究方法進行歸納及分析。研究過程經由藝術漆作的呈現方式，分類歸納並且建立出完整的項目表；並且針對115位受測者進行問卷施測、6位藝術漆作從業人員進行個案的詳細訪談，最後再整合歸納得出以下結論：一、歸納藝術漆作各種表現材質以及名稱統整歸納，將其分類為仿材質、氛圍營造、立體、花紋型染、風景、色彩風格六大類型。二、將藝術漆作推廣至高職、大學、產業界以及職業訓練中心，並且設立相關的課程。三、從藝術的角度來探討藝術漆作，藉由擬仿與空間美學的對話，提升民眾的認同感。四、探討出藝術漆作在空間場域中，如何使空間內部美感提升。
    　　The establishment of faux finish development and awareness has gone from flat paintings in the early days to unique art works using different types of characteristic paints nowadays. General thinking and understanding have also evolved from plain white-base to a large pallet of colors. In some instance, themes that are planned have extended their unique style and underlying meaning on the public walls. However, the phrase ＂ faux finish＂ still has much connotative meaning in the public perception and interpretation. There are considerable discrepancies that deem professional knowledge to distinguish the differences between faux finish versus flat painting. Thus, the motive of this paper is to review the history from a systematic view to fully understand its origin, technique, and the underlying spirit. 　　The purpose of this paper is to explore the current status and future of faux finish in Taiwan. In an effort to present the outlook of faux finish industry for the public, as well as provide a holistic and systematic view, historical literature regarding the development, current status, style of beauty, shape, materials, and space of faux finish were reviewed. Furthermore, case studies, interviews, surveys, and style analysis were performed. Result from 115 surveys and 6 interviews were organized and analyzed. For the presentation of faux finish, we concluded a comprehensive list which we discussed and summarized as conclusions. 1. The six classification of faux finish: Faux material, environment build-up, stereoscopic,stencil, View, Color Styles. 2. The value and outlook of faux finish: To popularize faux finish into senior high school, college, industry and industry training center to set up related classed. 3. Interaction between artists and the general public to enhance the sense of agreement. 4. Enhance the beauty of public spaces with faux finish.
    顯示於類別:[視覺藝術與設計學系] 博碩士論文

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