貝多芬鋼琴奏鳴曲作品22詮釋分析

南華大學機構典藏系統 > 藝術與設計學院 > 民族音樂學系 > 博碩士論文 > Item 987654321/26452

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题名:	貝多芬鋼琴奏鳴曲作品22詮釋分析
其它题名:	Analysis and Interpretation on Beethoven Piano Sonata Op.22
作者:	張哲郡 CHANG, CHE-CHUN
貢獻者:	民族音樂學系明立國 MING, LI-KUO
关键词:	音樂詮釋與分析;演奏學;鋼琴奏鳴曲;貝多芬 Analysis Interpretation In Music;Performance Studies;Piano Sonata;Beethoven
日期:	2018
上传时间:	2018-12-18 16:46:53 (UTC+8)
摘要:	本論文之撰寫輿論述，是將「演奏」視為一種技術與操作型的「知識經驗」來處理。在過程上，除了參考相關的中英文書籍與期刊以及碩博士論文之外，在方法上，考量演奏家所具有的特質風格及其專業經驗，選擇曾經出版過貝多芬奏鳴曲全集的演奏家，是為立論的主要基礎之一。其次，而在眾多的專業演奏家當中，本論文再進一步以國籍、地區及特質背景考量，將區別與差異性放大，篩選出德奧地區的音樂家許納貝爾（Artur Schnabel）、美洲體系的猶太音樂家巴倫波因（Daniel Barenboim），以及韓國的演奏家任炫正（H-J Lim)三位來進行比較與分析。　　論文內容有五個章節，第一章緒論，包含了研究動機與目的、文獻回顧以及研究方法及步驟；第二章貝多芬早期經歷與創作背景，包含背景解說、貝多芬早期的鋼琴奏鳴曲寫作以及創作動機；第三章代表性演奏家的資料蒐集，包括不同地區、年代、文化與教育訓練背景的演奏家們的介紹及分類；第四章是奏鳴曲四個樂章的樂曲架構、演奏家的詮釋以及筆者的觀點與分析；第五章「結論」，總結筆者研究後的心得感想與個人音樂會反思。　　The writing of this thesis is a discussion of ＂performance＂ as a technical and operational ＂knowledge experience.＂ In the process, in addition to referring to related Chinese and English books and journals as well as doctoral thesis, In terms of methods, consider the qualities and professional experiences of performers, Chooising a performer who had ever published the complete Beethoven Sonata is one of the main foundations for the argument. The thesis further considers the nationality, region and special characteristics to enlarge the differences and differences, and screens the musicians of German and Austrian regions, Artur Schnabel, and the Jewish musician of the American system Daniel Barenboim. And the Korean performer H-J Lim made a comparison and analysis.　　This thesis is divided into five parts. Chapters 1 ＂Introduction＂ contains motivation and aim, literature review, methods and steps. Chapter 2 ＂Beethoven's early experience and composition background＂ contains background description, piano sonata writing and creative motivation in Beethoven's early stage; Chapter 3 ＂information collection for representative performers＂ contains the introduction and classification of performers from different regions, ages, cultures and educational backgrounds. Chapter 4 is the composition of the four sonatas, the interpretation of the performers, and the author's views and analysis. The last chapter ＂Conclusion＂ summarizes the author's thoughts after the study and reflections on individual concerts.
显示于类别:	[民族音樂學系] 博碩士論文

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