中法合拍片中國形象的分析： 以《勇士之門》為例

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Title:	中法合拍片中國形象的分析：以《勇士之門》為例
Other Titles:	China's Image in China-France Co-production Films: Case Study of The Warriors Gate
Authors:	陳怡靜 CHEN, YI-CHING
Contributors:	傳播學系張裕亮 ZHANG, YU-LIANG
Keywords:	意識型態理論;符號學;中國形象;中法合拍片;中國電影 semiotics;Chinese image;Chinese-French co-productions;Chinese film;ideology theory
Date:	2018
Issue Date:	2018-12-21 09:27:49 (UTC+8)
Abstract:	近年來中法合拍片在中國巨額電影票房市場上找到共同利基，成為未來中國電影的主流，但是在合拍片裡隱藏了意識型態價值。本論文著重的重點在於探討中法合拍片中國形象的分析，先提及中國與法國電影發展、電影產業、兩國合拍片的概況，並以阿圖塞的意識型態理論，探討合拍片，是為了迎合西方評審而拍攝，當評審在觀看時，是否真的能以客觀的角度來評選？因此，筆者想從電影理相關意識型態理論探討此問題。將以符號學、鏡頭分析，分析中法合拍片《勇士之門》為主要研究對象。　　In recent years, Sino-French co-productions have found a common niche in China's movie box office market. While ideological values in coproduction are concealed, it has become a mainstream in Chinese cinema. The focus of this paper is the analysis of Chinese portrayal in the Chinese and French co-productions. The development of the Chinese and French films will be examined along with, the film industry, the co-productions of the two countries, and the co-productions with Artuse's ideological theory. In the interest of catering to western judges, the ideology of film theory will be delved into. A question to keep in mind is, can the objective point of view be pointed out? The research objective, is to analyze the Chinese-French co-production film ＂The Warriors Gate＂ using semiotics and lens analysis.
Appears in Collections:	[Department of Communication] Disserations and Theses

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