本文旨在探討星雲大師人間文學觀的美學思想。星雲大師終身為了追尋人生意義的解答而苦苦探問，從人間走向天人合一，從人生憂患昇華到創作美學的人文探幽，這種「超越對立，統攝雙方」的思想與中國傳統美學「天人合一」的基本思想具有會通之處，正是這種會通推動了以文學弘法的重要力量。本文透過「追本溯源」的視角來分析星雲大師「宗教人生觀」和「人間文學觀」在某種程度上的相互印證，以達到重新解讀星雲大師其文學思想的目的。透過探究，可見其中充滿了和諧的思想，但「和諧」與「衝突」，其實又是互為聯繫的一體之兩面。星雲大師是把高遠的「神」接到了腳踏實地的「人間」，把高遠的精神追求落實在現實和日常，實現個人與世界合一的物我和諧。人間文學觀的這種和諧的特質，使得它在現實世界的表象之上，提供了一種心靈可以昇華的力量，啟引讀者以更寬廣的眼界、更誠懇的心態，去接納人世的缺憾和無常，去感知文學創作的意義與價值。 This article aims to explore the aesthetic thoughts of Master Hsing Yun's human literature outlook. Master Hsing Yun spent his life searching for answers to the meaning of life, from the human world to the unity of nature and man, from the sublimation of life's worries to the humanistic exploration of creative aesthetics. This kind of thinking of “beyond opposition and dominate both sides” is in line with the traditional Chinese aesthetics “Heaven”. The basic idea of “the unity of human beings” has some similarities, and it is this kind of communication that promotes the important force of propagating Dharma through literature. This article uses the perspective of “tracing the origin” to analyze the mutual confirmation of Master Hsing Yun's “religious outlook on life” and “human literature view” to a certain extent, in order to achieve the purpose of reinterpreting Master Hsing Yun's literary thoughts. Through exploration, it can be seen that it is full of harmonious thoughts, but “harmony” and “conflict” are actually two sides of a unity that are connected to each other. Master Hsing Yun has connected the lofty “god” to the down-to-earth “world”, putting lofty spiritual pursuits into reality and daily life, and realizing the harmony between the individual and the world. The harmonious nature of the human literature view makes it above the surface of the real world, it provides a kind of spiritual power that can be sublimated, and inspires readers to accept the shortcomings and impermanence of the human world with a broader vision and a more sincere attitude. , To perceive the meaning and value of literary creation.
