| 摘要: | 中國藝術向來強調「自然」的觀念，而水墨畫的創作更是崇尚「得之自然」的美學思想。本研究以自然生命為創作對象，運用現代水墨的創新技法，歌詠大自然的生命動能，關懷大自然正遭逢的人為破壞，反思身為藝術工作者如何呈現自然美學與生態正義的創作形式，讓藝術與生命結合在一起。 本研究於方法學上，利用文獻研究法、行動研究法、圖像研究法等，從生命倫理、宗教學、老莊哲學、身心醫學、生態學之觀點論述自然生命的價值意涵，並從東西方美學觀點探究自然生命創作；其次，以臺灣當代的水墨發展路徑，吸納西方藝術流派之表現形式做一整理；再者，介紹台灣現代水墨畫家在自然生命的創作與成就，及其對本研究之啟發；最後，運用圖像符號、象徵意涵、色彩應用、筆墨技法與空間構圖等表現，讓主題與情感在創作過程中得以探索與實踐。 本研究以自然生命為主題，發展「生命無常」、「生命困頓」、「生命永恆」三個系列。研究結果發現，從「寫意簡練到微觀寫實的當代水墨表現形式｣，有助於融合傳統東方水墨藝術美學與現代西方現代主義美學，深耕臺灣現代水墨的表現形式。從「傳統書寫到數位影像的當代生態美學詮釋｣，看到水墨創新思維不僅限於媒材、技法、構圖的實驗，同時亦可加入數位影像的布局，讓生態創作的主題更加豐富生動。從「生命無常到生命永恆的自然生命敘說價值｣，體現每一物種的生命價值都是平等，無有尊卑高下之分，都是自然生態的一部分，也從病苦與災難中，找到心靈轉變的契機，尋求生命當下的永恆。 根據此研究結果，研究者期許未來水墨創作能「趨向大自然生命微觀為視野的創新技法｣，並「融合當代藝術形式為構圖的水墨視覺設計｣；以建構水墨藝術的生態美學觀，並提升大眾對臺灣自然生態的重視與自然生命的關懷。
Chinese art has always emphasized the concept of ＂nature＂, and the creation of ink painting is more about the ＂Natural＂ aesthetics. This study takes natural life as the object of creation combined in life. Uses innovative techniques of modern ink and wash, sings the life kinetic energy of nature, cares about the man-made destruction that nature is encountering, and reflects on how to present the creation form of natural aesthetics and ecological justice as an artist. This research is based on methodology, using documentary analysis method, action research, and iconology research, etc., from bioethics, religion, Lao Zhuang philosophy, mind and body medicine, and ecology. First of all, the point of view discusses the value of natural life, and explores the creation of natural life from the perspective of Eastern and Western aesthetics. Secondly, it absorbs Western art through the development path of contemporary ink painting in Taiwan to sort out the expressions of the school of arts. Furthermore, introduce the creation and achievements of modern ink painting artists in natural life in Taiwan, and their inspiration to this research. Finally, use image symbols, symbolic meanings, color applications, pen and ink techniques, space composition, and other performances allow the exploration and practice of themes and emotions in the creative process. This research focuses on the theme of natural life and develops three series of ＂impermanence＂, ＂difficulties＂ and ＂internal＂. The results of the study found that, from ＂concise freehand to micro-realistic contemporary ink and wash expressions＂, it is conducive to the fusion of traditional oriental ink art aesthetics and modern western modernist aesthetics, and to deepen the expression forms of modern ink painting in Taiwan. From ＂traditional writing to digital imaging to Interpretation of contemporary ecological aesthetics. Seeing the creative thinking of ink painting is not limited to the experiment of media, techniques and composition, but also the layout of digital images can be added to enrich the theme of ecological creation. The eternal value of natural life and narrative value reflects the life value of each species equally. To achieve eternal life, there is no distinction between high and low, as it's a part of natural ecology. Based on the results of this study, the researchers hope that future ink-and-wash creations will ＂innovate techniques that tend toward the microcosm of nature's life＂, and ＂ink visual design that incorporates contemporary art forms as compositions＂. Construct the ecological aesthetics of ink art and improve the public to attach great importance to Taiwan's natural ecology and care for natural life. |
