隨著1989年第一部主旋律電影《開國大典》上映後，中國每年都會推出一部至多部主旋律電影，透過電影中的意識形態潛移默化的影響著民眾對中國的想象，塑造中國形象。本研究選取《戰狼2》作為主要研究對象，剖析電影再現何種中國元素及中國形象，首先論述主旋律電影的定義、電影法規審查、中國國家形象、意識形態和文化霸權，接著運用符號學、鏡頭分析、社會說服論、沉默螺旋理論，分析電影中具有意識形態的元素。同時探討中國主旋律電影結合商業片模式，是否比傳統獻禮片更賣座，電影中再現了哪些中國元素及形象，以及近年來中國對非洲的總體戰略部署。 With the release of the first Chinese mainstream melody film ＂Founding Ceremony＂ in 1989, China will launches one or more mainstream melody films each year. The ideology in the film not only subtly affects the imagination of people in China, but also shapes the image of China.Taking the film ＂War Wolf 2＂ as the main research object, this thesis analyzes what Chinese elements and Chinese images are reproduced in the film.Firstly, this thesis discuss the definition of the mainstream melody film, review of film regulations, China's national image, ideology and cultural hegemony. Secondly, this thesis uses semiotics, lens analysis, social persuasion theory, and the spiral of silence theory to analyzes the elements of ideology in the film. At the same time, this thesis explores whether the Chinese mainstream melody film combined with commercial film mode is more popular than traditional gift films or not, which Chinese elements and images are reproduced in the film, and China's overall strategic deployment of Africa in recent years.
