《吳大澂篆書論語》研究

南華大學機構典藏系統 > 人文學院 > 文學系 > 博碩士論文 > Item 987654321/28626

請使用永久網址來引用或連結此文件: http://nhuir.nhu.edu.tw/handle/987654321/28626

題名:	《吳大澂篆書論語》研究
其他題名:	The Study of “Wudacheng Zhuanshu Lunyu”
作者:	李淑卿 LEE, SHU-CHING
貢獻者:	文學系陳章錫 CHEN, CHANG-HSI
關鍵詞:	吳大澂;小篆;金文;吳大澂篆書論語 Wu Da Zheng;Small seal script;Bronze inscriptions;Wu Da Zheng Seal Script Analects
日期:	2021
上傳時間:	2022-08-09 13:27:15 (UTC+8)
摘要:	吳大澂是清朝晚期著名的金石學家、收藏家、書畫家，也是畢生致力於古器物研究的學者，而在其豐富的藝術浸潤領域中，書法的成就頗值得關注，其中又以《吳大澂篆書論語》為其生平最得意的作品。吳大澂受到家學的薰染，從小就非常喜愛古文，少年時開始學習秦代小篆刻石，其書法風格就和唐朝的篆書大家李陽冰極為相似。後來受到楊沂孫的啟示，將小篆和金文結而為一，創造出用筆蒼辣、自成新意的筆風，結體部分則具備大小參差、淵雅樸茂的特色，而呈現出大氣淋漓，沉著雄厚的創新風格，為書法藝術帶來了蓬勃生機。　　吳大澂屢任邊疆重臣，除了捍衛國家權益和民族尊嚴之外，也為他的人生和清朝歷史留下了極為珍貴的一頁，自請參戰的舉動則充分顯示出「捨我其誰」的性格。畢生以經世致用為要務，雖然對於甲午戰爭的失敗終究難辭其咎，但其累積三十年的時間，不斷的精研究微三代彝器之所得，編輯了《說文古籀補》，得以補闕自秦以來不獲見古籀真跡之憾，更進而援引了《說文古籀補》中三千五百餘字的古文來書寫《論語》，藉以恢復儒家經典的舊觀，更是書壇之創舉。　　本論文旨在透過研究動機與目的、相關文獻之探討、研究方法之陳述與章節之安排，從吳大澂的家學淵源及書學背景進行梳理，藉此剖析時代背景對吳大澂書藝成就的影響，探究吳大澂對儒家藝術觀的繼承與開闊先秦文字的廣闊視野。亦透過經典著作的內容，剖析篆字的筆法、結構及章法，以多元的面向來進行分析，歸納《吳大澂篆書論語》書藝之繼承與書法藝術之特色，做為學習書法之參考，並從中獲得生命之陶融，提供愛好書法藝術者進入書法藝術精髓之門徑，並歸納出實踐生命的人生哲理。　　Wu Da Zheng is a famous epigraphist, collector, calligrapher. He spent his whole life studying antique. His research on calligraphy is the greatest of his works. Wu Da Zheng Seal Script Analects is his famous work. Wu Da Zheng was influenced by JiaShiau. Besides studying Classical Chinese, he learned Seal script as well. His calligraphy style is similar to Lee Young Big. He was inspired by Young Yi Sun, then he combined seal script with Chinese bronze inscriptions. Therefore, his writing became more powerful which turned into his own style. It brought new direction for calligraphy art. His rustic style in seal script presents strong and overwhelmed characteristic.　　Wu Da Zheng served as an important role in border areas. He defended his country and people's dignity. There were glory days for him and Qing Dynasty history because of what he had done. Since he volunteered to join the war, it showed an idea “Who else but me” from classic Confucian concepts. Although he was responsible for the failure of Sino-Japanese War, he spent almost thirty years to contribute for the research on Yi Qi. He edited Shuo Wen Gu Zhou Bu which revealed the authentic Gu Zhou since Qi Dynasty. Furthermore, he brought three thousand and five hundred ancient Chinese script characters from Shuo Wen Gu Zhou Bu to write Confucian Analects. His contribution restored the concept of the classic Confucianism, and it was identified as one of the greatest pioneering work. 　　The purpose of this article is to analyze the background and the factors influencing Wu Da Zheng's calligraphy. This article will be focused on motivation and purpose research, literature review, and research methods to analyze Wu Da Zheng's background. By studying Wu Da Zheng's vision on Confucian arts and ancient scripts from Qing Dynasty, we could lean Seal script's writing technique, structure, and constitution. In addition, summarizing concepts from Wu Da Zheng Seal Script can be a reference to learn calligraphy arts for artists, as well as the meaning of life.
顯示於類別:	[文學系] 博碩士論文

文件中的檔案:

檔案	描述	大小	格式	瀏覽次數
109NHU00076009-001.pdf		5885Kb	Adobe PDF	1328	檢視/開啟
index.html		0Kb	HTML	628	檢視/開啟

在NHUIR中所有的資料項目都受到原著作權保護.

TAIR相關文章

資料載入中.....