從紙上到舞台：紀錄編導《意念》之過程與挑戰

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Title:	從紙上到舞台：紀錄編導《意念》之過程與挑戰
Other Titles:	From Page to Stage: An Account on the Process and Challenges of Writing and Directing Niyyat
Authors:	艾亞蒂 EMELO, HEIDI SALIH
Contributors:	民族音樂學系蔡柏璋 TSAI, PAO-CHANG
Keywords:	意念;導演方法;安博格;觀點方法;穆斯林;拉約什‧埃格里;編劇的藝術 Niyyat;Director's Approach;Anne Bogart;Viewpoints Method;Islam;Lajos Egri;Art of Dramatic Writing
Date:	2021
Issue Date:	2022-08-10
Abstract:	本論文主要描述我在編導碩士畢業製作《意念》的創作過程。這份以實作為基礎的質性研究討論了以穆斯林為靈感的劇本創作；套用在我所選定的導演手法之概念與想法；以及在寫作過程中所遇到的挑戰。本論文透過安博格（Anne Bogart）的觀點訓練方法以及拉約什‧埃格里的《編劇的藝術》闡述導演在執導與寫作的過程。　　This written thesis intends to narrate the artistic process that I have gone through in writing and directing my MFA graduation project entitled Niyyat. 　　This qualitative and practice-based research discussed the inspiration of writing a Muslim-inspired story; the concept and ideas applied in exploring my chosen directorial approach; and the challenges that I have encountered in writing the script. Particular attention to Anne Bogart's Viewpoints Training and Lajos Egri's Art of Dramatic Writing was made in this thesis to reveal the director's process in writing and directing.
Appears in Collections:	[Graduate Institute and Department of Ethnomusicology] Disserations and Theses

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