本論文主要是紀錄筆者的畢業創作和實踐過程，針對一部無台詞的集體編作劇場進行闡述 與反思。 該作品《另一半》首演於 2021 年 4 月 15 日在嘉義縣表演藝術中首演。 30 分鐘 的故事以反烏 托邦的形式，探索當代女性掙扎於父權社會下所認定對美的悖論; 本論文是 以“美麗就是痛苦”為 發想，執導一部無台詞的集體編創的實踐研究。 相關研究資料的蒐 集除了筆者的工作日誌、紀 錄影片、排練筆記和觀察，還使用演員的日記與回饋。本論文 首先介紹《另一半》的故事內容、場景、人物角色分析，並進一步探討導演編創與實踐過 程中的相關所採用的方法，最後也會呈 現整個過程中所遇到的挑戰與如何克服難題。 This dissertation documents and reviews my creative process and techniques used in staging a non-text based devising project. The production The Other Half premiered in Chiayi Performing Arts Center on April 15, 2021. This 30-minute project was set in a dystopian setting to explore the paradox about the contemporary struggles of women in terms of beauty in a society dominated by male society. Guided by the saying “Beauty is pain”, the aim of this practice-based study is to develop a non-text project using different devising techniques. Potential data was also accumulated from the creative process of play making. Aside from research and documentaries, this study used actor’s journal, assessments, rehearsal notes and observations to corroborate materials to present adetailed portfolio of the project. This dissertation initiallyintroduces myplay The Other Half, then it discusses devising as directorial approach by exemplifying the importance of a stimulus, practical exploration, devising techniques, developing style and structure, refining the performance and rehearse; finally, I will address the challenges of creating positive environment throughout the process and how I overcame them.
