黃國峻短篇小說中的書寫策略及其世界觀

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题名:	黃國峻短篇小說中的書寫策略及其世界觀
其它题名:	Writing Strategies and World Views in Huang Guo-Jun's Short Stories
作者:	黃香涵 HUANG, XING-HAN
貢獻者:	文學系高知遠 KAO, CHIH-YUAN
关键词:	黃國峻;書寫策略;世界觀;敘事學 Guo-Jun Huang;writing strategies;World Views;narratology
日期:	2023
上传时间:	2023-11-09 11:38:51 (UTC+8)
摘要:	本文以「黃國峻短篇小說中的書寫策略及其世界觀」為論題，藉此將黃國峻從事寫作的短短幾年作品做一共性討論。在正式進入書寫策略及世界觀深析之前，論者首先引入湯普森(Stith Thompson)的母題(motif)概念，母題是構成主題的重要部分，且一主題可由多個母題構成，認為母題為文本的最小敘述單位，掌握文本之存在母題不只可將主題的被建構以更清晰的方式分析，更可了解隱含作者敘述文本主題時的著重面向，讓論題的開展有更加堅實的基礎。　　書寫策略將以符號學概念出發，著重分析文本如何「被」構成，在此將針對黃國峻之文本敘述技巧做出歸納，由胡亞敏說法的敘事學方法切入，以視角、形象、修辭與敘事型態等進行深析，論其文本內之敘事結構如何構成。　　世界觀概念源於高德曼(Lucien Goldmann)的發生論結構主義，將文本視作兩個結構的相互對立，以結構的對立導出文本內隱含作者所肯定之意識型態，藉由這樣把文本與隱含作者思想連結的分析方式進行研究，得以更有脈絡的探討文本之於作者間的關聯。　　繼世界觀的意涵結構分析之後，引入現代主義及存在主義之概念，前者把世界觀概念中未提及之美學原則獨立一節探析，從現代主義的手法中解析黃國峻文本世界觀建立的美學共性，後者歸結黃國峻文本中的存在主義式世界觀如何被構成。　　希望透過對文本的書寫策略及世界觀的提出，從敘事學的基礎上找尋黃國峻文本作品中恆定的敘事原則，並由高德曼、現代主義、存在主義等社會學之方法探尋黃國峻的美學思想及其意識形態，作為日後黃國峻研究之基礎，讓台灣後出的現代主義文學可被更多讀者及研究者看見，使其相關之研究得以更加完整且豐富。　　This article focuses on “Writing Strategies and World views in Huang Guo-Jun's Short Stories”, so as to discuss the works of Huang Guo-jun's in the short years of writing. Before entering into the deep analysis of writing strategies and world views, the commentators first introduce Stith Thompson's concept of motifs, which are an important part of the composition of a theme, and a theme can be composed of multiple motifs, it is believed that the parent title is the smallest narrative unit of the text, and mastering the existence of the text motif can not only analyze the construction of the theme in a clearer way, but also understand the emphasis of the implied author when describing the theme of the text, so that the development of the topic has a more solid foundation.　　The writing strategy will start from the concept of semiotics, focusing on how the text is “constituted”, and here it will summarize Huang Guo-jun's textual narrative technique, starting from the narrative method of Hu Yamin's statement, and deeply analyze the perspective, image, rhetoric and narrative form to discuss how the narrative structure in the text is composed.　　The concept of world view derives from Lucien Goldmann's occurrenceist structuralism, which regards the text as the opposition of two structures, derives the ideological form affirmed by the author implicit in the text with the opposition of the structure, and through this analytical way of studying the connection between the text and the implicit author's thoughts, it is possible to explore the relationship between the text and the author in a more contextual.　　Following the analysis of the meaning structure of the world view, the concepts of modernism and existentialism are introduced, the former analyzes the aesthetic principles not mentioned in the concept of world view in a separate section, analyzes the aesthetic commonality established by Huang Guo-jun's textual world view from the modernist approach, and the latter summarizes how the existential world view in Huang Guo-jun's text is constituted.　　It is hoped that through the proposal of the writing strategy and world view of the text, the constant narrative principle in Huang Guo-jun's textual works will be found from the basis of narratology, and the aesthetic ideas and ideology of Huang Guo-jun's will be explored by the sociological methods of Goldman, modernism, existentialism, etc., as the basis for Huang Guo-jun's future research, so that Taiwan's later modernist literature can be seen by more readers and researchers, so that its related research can be more complete and rich.
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