袁哲生小說中的敘事型態及其意識研究

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Title:	袁哲生小說中的敘事型態及其意識研究
Other Titles:	A Study of Narrative Patterns and Their Consciousness in Yuan Zhesheng's Novels
Authors:	戴富榮 TAI, FU-JUNG
Contributors:	文學系高知遠 KAO, CHIH-YUAN
Keywords:	袁哲生;敘事學;意識批評;文學符號學;發生論結構主義 Yuan Zhesheng;Narratology;Consciousness Criticism;Literary Semiotics;Genetic Structuralism
Date:	2023
Issue Date:	2023-11-09 11:39:55 (UTC+8)
Abstract:	本研究以袁哲生的小說作為研究主題，主要以《靜止在樹上的羊》、《寂寞的遊戲》、《秀才的手錶》、《羅漢池》以及《猴子》等，作為分析文本，並將章節安排依序分為「袁哲生小說中的敘事技巧」、「袁哲生小說中的雙層結構」、「袁哲生小說中的創作意識」等，藉此將小說文本與隱含作者思想，以及背後的意識形態進行分析與討論。　　首先，「袁哲生小說中的敘事技巧」為針對袁哲生小說的敘事型態之探究而提出的問題意識，並以胡亞敏《敘事學》的理論方法作為參考，期望找尋出其小說在敘事型態上的特徵和共性；接著「袁哲生小說中的雙層結構」是針對袁哲生小說中人物對生命處境上的對立結構，將其區分成表層與深層兩種層次，並且以高德曼(Lucien・Goldmann)發生論結構主義的意涵結構作為參考方法進行探析，而所探析出之架構，將作為探討創作意識的基礎。　　最後「袁哲生小說中的創作意識」則探索袁哲生小說在創作上，隱含作者於背後的美學意識及其世界觀的價值意識，其中世界觀之概念，則源自於高德曼的發生論結構主義，藉由將文本劃分為兩種不同的對立結構，來探討隱含作者在文本中背後肯定之意識形態，這樣將隱含作者於文本裡的思想與背後肯定之意識形態連接在一起的分析方法，能更有脈絡的探析隱含作者的思想和某一社會團體之意識形態的關聯，因此在此章節的世界觀上，將以上個章節分析出的架構進行更有深度的討論；至於美學意識上則以歐陽子主張之小說創作的理念作為參考方法，期望探究出隱含作者在美學方面背後的價值趨向。　　This study takes Yuan Zhesheng's novels as the research theme, and mainly uses “The Sheep Still on the Tree”, “The Lonely Game”, “The Scholar's Watch”, “Arhat Pool” and “Monkey” as the analysis texts, and will The chapter arrangement is divided into “Narrative Techniques in Yuan Zhesheng's Novels”, “Double-layer Structure in Yuan Zhesheng's Novels”, “Creative Consciousness in Yuan Zhesheng's Novels”, etc., so as to combine the novel text with the hidden author's thoughts, and Analyze and discuss the ideology behind it.　　First of all, “Narrative Techniques in Yuan Zhesheng's Novels” is an awareness of the problems raised in the exploration of the narrative patterns of Yuan Zhesheng's novels, and with reference to the theoretical method of Hu Yamin's “Narratology“, it is expected to find out the narrative patterns of his novels. The above features and commonalities; then “the double-layer structure in Yuan Zhesheng's novels” is aimed at the opposite structure of the characters in Yuan Zhesheng's novels to the life situation, which is divided into two levels: the surface layer and the deep layer, and uses Goldman (Lucien・Goldmann's Genesis Structuralism's connotative structure is used as a reference method to explore and analyze, and the explored and analyzed structure will be used as the basis for exploring creative consciousness.　　Finally, “Creative Consciousness in Yuan Zhesheng's Novels” explores Yuan Zhesheng's novel creation, which implies the author's aesthetic consciousness and value consciousness of world outlook. The concept of world outlook is derived from Goldman's genetic structure Doctrine, by dividing the text into two different opposing structures, to explore the ideology behind the implicit author's affirmation in the text, such an analysis that connects the implicit author's thought in the text with the ideology behind method, can more contextually analyze the relationship between the implied author's thoughts and the ideology of a certain social group, so in this chapter, we will conduct a more in-depth discussion on the framework analyzed in the previous chapter; as for aesthetic consciousness In the above, the concept of novel creation advocated by Ouyang Zi is used as a reference method, hoping to explore the hidden value trend behind the author's aesthetics.
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