窮其道者，歸處亦同─《鬼滅之刃》的表現原則及其意涵

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Title:	窮其道者，歸處亦同─《鬼滅之刃》的表現原則及其意涵
Other Titles:	Those who Pursue the Ultimate Goal, Their Destination Will Be the Same--The Performance Principle and Its Implications of “Kimetsu no Yaiba”
Authors:	葉珮彣 YEH, PEI-WEN
Contributors:	文學系高知遠 KAO, CHIH-YUAN
Keywords:	鬼滅之刃;敘事學;結構主義;價值意識 Kimetsu no Yaiba;Narratology;Structuralism;Value awareness
Date:	2023
Issue Date:	2023-11-09 11:40:08 (UTC+8)
Abstract:	本文論題為「窮其道者，歸處亦同─《鬼滅之刃》的表現原則及其意涵」，以《鬼滅之刃》為研究對象，運用文學理論分析其表現原則及意涵。題目中的「窮其道者，歸處亦同」是源自作品裡的重要人物──繼國緣壹所言。他作為《鬼滅之刃》中初始呼吸的使用者，他的思想與劍技都被流傳到竈門炭治郎這代，讓作品所要傳達的許多事物，都建立在這句話的基礎上。從《鬼滅之刃》中可以看到許多圍繞著生命的描述，在鬼吃人這個食物鏈的基底上，首先讓人想到的便是生命的議題，然而在生命之下還有許多值得探討的內容，因此本文將以「《鬼滅之刃》中的表現原則」、「《鬼滅之刃》中的意識結構」、「《鬼滅之刃》中的價值意識」等章節依序進行分析。　　本文的分析思路如下：運用《敘事學》視角的概念呈現敘事視角，再加上人物典型與敘事型態的探討，得到「《鬼滅之刃》中的表現原則」。接著使用結構主義的分類，將人物的關係分為表層結構與深層結構，藉由這兩個層面知悉「《鬼滅之刃》中的意識結構」。最後，根據意識的天平傾向，從鬼殺隊與鬼這兩大陣營的對戰結果，得出「《鬼滅之刃》中的價值意識」。　　漫畫作品在學術環境裡仍是較為稀少的存在，尤以敘事方面更是相當短缺，如今漫畫題材層出不窮，有許多漫畫逐漸不滿足於追求感官的刺激，開始深入敘事的手法以及對社會人性的反思。故本文希望藉由這篇研究之提出，展現漫畫研究的可行性，期望未來有更多漫畫作品得以被投入學術場合，希望能為漫畫敘事之研究盡一點棉薄之力。　　This essay is entitled Those who Pursue the Ultimate Goal Their Destination Will Be The Same─The Performance Principle and Its Implications of “Kimetsu no Yaiba”, taking Ghost Slayer Blade as the research object and using literary theory to analyze its performance principles and implications. The title “Those Who Poor, Return to the Same Place” is derived from the words of an important character in the work, Ji Guoyuan Yi. As the user of the initial breath in “Demon Slayer's Blade”, his ideas and sword skills have been passed down to Tanjiro Yamoto's generation, so that many things that the work aims to convey are based on this sentence. From “Ghost Slayer Blade” can see a lot of descriptions around life, on the basis of the food chain of ghost cannibalism, the first thing that comes to mind is the issue of life, but there is still a lot worth discussing under life, so this article will analyze in order with chapters such as “The Performance Principles in “ Kimetsu no Yaiba”, “The Consciousness Structure in “Kimetsu no Yaiba”, and “Value Consciousness in Kimetsu no Yaiba”.　　The analysis idea of this paper is as follows: using the concept of “narratology” perspective to render the narrative perspective, coupled with the discussion of character typicality and narrative type, the performance principle in “Kimetsu no Yaiba” is obtained. Then, using structuralist classification, the relationship between characters is divided into surface structure and deep structure, through these two levels to understand the structure of consciousness in “Kimetsu no Yaiba”. Finally, according to the balance of consciousness, from the results of the battle between the two camps of the Ghost Killer Team and the Ghost, the “value consciousness in“Kimetsu no Yaiba” is obtained.　　Comic works are still relatively rare in the academic environment, especially in terms of narrative, and now the themes of comics are emerging one after another, and many comics are gradually not satisfied with the pursuit of sensory stimulation, and begin to delve into the technique of narrative and reflection on social humanity. Therefore, this paper hopes to show the feasibility of comic book research through the proposal of this research, and hope that more comic works will be put into academic situations in the future, hoping to make a contribution to the study of comic narrative.
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