王羲之書法美學研究

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Title:	王羲之書法美學研究
Other Titles:	A Study of Wang Xi-Zhi's Calligraphy Aesthetics
Authors:	林庚申 LIN, KENG-SHEN
Contributors:	文學系陳章錫 CHEN, CHANG-HSI
Keywords:	美學創作原理;書法理論;書法美學;美學思想;王羲之 Aesthetic Creation Principles;Calligraphy Theory;Calligraphy Aesthetics;Aesthetic Thought;Wang Xi-Zhi's
Date:	2023
Issue Date:	2023-11-09 11:40:58 (UTC+8)
Abstract:	本論文王羲之書法美學研究的目的，藉由探討書法家的書法美學觀點和人文修養，選擇書法中主要的美學觀點進行了剖析，進行演繹和歸納，藉以提升個人的書法美學造詣，在書法藝術情境中，和書法愛好者體驗技和道相輔相成的美好，弘揚中華傳統文化書法精神。　　第一章以王羲之書法美學作為理想價值的走向，透過書體、書家和書論三個方向的客觀分析王羲之書法美學，演繹出美學創作原理和主體修養觀。從中取得有價值的書法美學觀點，作為學習書法時的典範。　　第二章探究王羲之生平事蹟和著作考察，針對王羲之身處的年代探討魏晉玄學的背景與才性觀，本研究以書法理論源流和王羲之書法理論淵源為基礎。　　第三章說明王羲之各體書法代表作品內容及特色。說明各作品特色，分析其內容特質，技法表現出墨韻的趣味和藝術美感，呈現王羲之書法美學。　　第四章分析王羲之書法美學歷史評價。首先探討儒、道美學思想在書法理論中的呈現。其次，探討言不盡意的書法創作觀。最後，分析美學創作原理和主體修養觀。　　第五章從歷代書法論文中對王羲之書法評價進行探討。王羲之書法影響的層面分為；人書俱老自然形成，重視儒家倫理教化，活用道家自然觀，王羲之書法正鋒取勁，書法的藝術觀點，書法的情境美感。　　第六章王羲之書法美學研究，以王羲之為學習書法時典範，強調書法學者要積極提升自身的修養，清楚歷代書法論文中書法觀點，到達個人對藝術情境的覺醒。　　The purpose of this dissertation on Wang Xi-Zhi's calligraphy aesthetics research is to explore the calligrapher's calligraphy aesthetics and humanistic cultivation, select the main aesthetic viewpoints in calligraphy for analysis, deduction and induction, so as to improve personal calligraphy aesthetics, in the context of calligraphy art In, and calligraphy lovers experience the beauty of skill and Tao complement each other, and carry forward the spirit of Chinese traditional culture calligraphy.　　The first chapter takes Wang Xi-Zhi's calligraphy aesthetics as the direction of ideal value, through the objective analysis of Wang Xi-Zhi's calligraphy aesthetics in three directions: calligraphy style, calligrapher and calligraphy theory, and deduces the principles of aesthetic creation and the concept of subject cultivation. From it, valuable calligraphy aesthetics can be obtained, which can be used as a model for learning calligraphy.　　The second chapter explores Wang Xi-Zhi's life story and works, and discusses the background and talents of Wei and Jin metaphysics according to Wang Xi-Zhi's age. This research is based on the origin of calligraphy theory and the origin of Wang Xi-Zhi's calligraphy theory.　　The third chapter explains the content and characteristics of Wang Xi-Zhi's representative calligraphy works. Explain the characteristics of each work, analyze its content characteristics, techniques show the fun and artistic beauty of ink rhyme, and present Wang Xi-Zhi's calligraphic aesthetics.　　The fourth chapter analyzes the historical evaluation of Wang Xi-Zhi's calligraphy aesthetics. Firstly, it discusses the presentation of Confucianism and Taoism aesthetics in calligraphy theory. Secondly, discuss the concept of calligraphy creation that cannot be fully expressed. Finally, analyze the principles of aesthetic creation and the concept of subject cultivation.　　The fifth chapter discusses the evaluation of Wang Xi-Zhi's calligraphy from the calligraphy papers of the past dynasties. The influence of Wang Xi-Zhi's calligraphy is divided into: the natural formation of people who are old and old, the emphasis on Confucian ethics, the use of Taoist natural views, Wang Xi-Zhi's calligraphy is vigorous, the artistic concept of calligraphy, and the aesthetic feeling of calligraphy.　　The sixth chapter studies Wang Xi-Zhi's calligraphy aesthetics, taking Wang Xi-Zhi's as a model when learning calligraphy, emphasizing that calligraphers should actively improve their own cultivation, be clear about the calligraphy viewpoints in the calligraphy papers of the past dynasties, and achieve personal awakening to the artistic situation.
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