此論文敘述我演出Al Bernard Garcia所編創《邊緣》的經歷，舞作符合南華大學碩士畢業門檻。論文焦聚在作為舞者反思舞作《邊緣》的創作過程，並從四個面向進行思考：編創初期階段、舞作理念、獨舞、物件符碼。在作品《邊緣》中，我採取實踐作為研究方法，以自我作為舞者身份，透過想像力並將動作具體呈現於編舞中。這個研究方法證實了在創作過程的反思中，是對於作為舞者提升自己的關鍵部分。而透過這些反思，能夠激起自己對舞蹈表演本質理解的能力。 This thesis narrates my experience performing Limbo as choreographed by Al Bernard Garcia. The choreography project partially fulfills my MFA graduation requirement at Nanhua University. This paper focuses on four aspects of my reflections as a dancer on the creative process in the performance piece Limbo, the initial stage, performing philosophy, the solo section, and the props. I employed practice as a research method in this project to narrate my reflections on the creative process and to engage in knowing myself as a dancer by exploring my imagination and embodying the movements in the choreography. This process confirms that my reflections on the creative process are essential in my quest to improve myself as a dancer and to awaken my ability to understand the essence of the performance.
