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| 題名: | 箏樂作品《楓橋夜泊》詮釋與分析 |
| 其他題名: | An Interpretation and Analysis on Zheng Composition--Fengqiao Yebo |
| 作者: | 林錦蓮
LIN, CHIN-LIEN |
| 貢獻者: | 民族音樂學系
馬銘輝
MA, MING-HUI |
| 關鍵詞: | 古箏演奏;楓橋夜泊;王建民
Zheng performance;Fengqiao Yebo;Wang Jianmin |
| 日期: | 2023 |
| 上傳時間: | 2023-11-09 13:27:24 (UTC+8) |
| 摘要: | 箏曲《楓橋夜泊》，是作曲家王建民於1998年創作，是一首以唐代詩人張繼的古詩詞為創作題材的箏曲，創作中融入古詩詞意境，以樂音的創作形式，展現出詩中的自然形態之美。2001年完成鋼琴伴奏版本，藉由鋼琴與古箏的呼應，讓樂音更具色彩變化，擴展了古箏作品的豐富性同時也加强了古箏音樂藝術形象。 在本文中，筆者透過資料蒐集法及樂曲詮釋分析，了解樂曲中融入古詩詞的展現，更能夠豐富其創作的靈感與意義。同時分析樂曲結構、旋律與節奏，探討如何掌握音樂作品中的藝術情境，做出理解後的演奏詮釋。 在研究過程中了解演奏詮釋的靈感思維，必須與樂曲每一段契合，呈現樂音的真諦，運用豐富的作曲方法，讓樂曲更能表現其音樂意境。經由以上的理解再探討箏樂的彈奏可以是「簡單清楚、易與人和」，不一定要有過多的炫技。透過對民族文化內涵的體悟、以及西洋作曲方法的應用，可以讓箏樂更俱多元的藝術面向，達到以古鑑今，前瞻未來的展望。 研究結果顯示《楓橋夜泊》箏樂作品中，作曲法、定弦特點、配器、樂曲風格特色，透過古箏的各種演奏詮釋技法（泛音、同音反覆、琶音和點音等指法），表現出生動的樂音組合，展現古詩詞的意境之美。
The zheng composition Fengqiao Yebo was composed by Wang Jianmin in 1998. It is a zheng composition based on the ancient poetry of Zhang Ji, a Tang Dynasty poet. The composition incorporates the artistic conception of the poetry and showcases the beauty of the natural form through the creative use of music. By combining the piano with the zheng, the music musical color is enriched, expanding the richness of zheng composition while also enhancing the artistic image of zheng composition. In this thesis, I use data collection and music interpretation analysis to understand the presentation of ancient poetry in the music and to enrich the inspiration and meaning of the composition. The thesis also analyzes the structure, melodic and rhythm of the piece to explore how to grasp the artistic context of the music and make an interpretation after understanding it. In the process of research, it is important to have inspiration and thoughts that fit each section of the music to present the true essence of the music, utilizing composition method to allow the piece to present its artistic conception . Through the understanding of the cultural connotation of the ethnic group and the application of western composition method, zheng composition can have a more diversified artistic aspect, achieving a prospect that looks to the future through the past. The research results show that in the zheng composition Fengqiao Yebo, the characteristics of composition method, scales, instrumentation and style are expressed through various zheng interpretation methods, such as overtones, repeated notes, trills and staccato, with new tuning characteristics, showcasing the charm of zheng composition. |
| 顯示於類別: | [民族音樂學系] 博碩士論文
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