南華大學機構典藏系統:Item 987654321/29688
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    Please use this identifier to cite or link to this item: http://nhuir.nhu.edu.tw/handle/987654321/29688


    Title: 鋼琴曲《日記》、弦樂五重奏《音感折射》與電子音樂《資訊汙染》之樂曲創作與分析報告
    Other Titles: Music Composition and Analysis Report of the Piano Piece Diary, the String Quintet Hearing Refraction and the Electronic Music Information Pollution
    Authors: 鄭元瑜
    ZHENG, YUAN-YU
    Contributors: 民族音樂學系
    盧長劍
    HOLLOWAY, GEORGE PAUL
    Keywords: 理論作曲;現代音樂;電子音樂;弦樂五重奏;鋼琴獨奏;當代作曲家
    theoretical composition;modern music;electronic music;string quintet;piano piece;contemporary composer
    Date: 2023
    Issue Date: 2023-11-09 13:28:27 (UTC+8)
    Abstract:   該篇論文內容為分析筆者所作的三部原創音樂作品:鋼琴獨奏曲《日記》、弦樂五重奏《音感折射》與電子音樂《資訊汙染》的內容,並記錄筆者對這三部作品的創作歷程與創作思維。  論文包含四個章節:第一章緒論概略性地簡介三部作品的內容、創作方法與文獻回顧,其後三章則分別對應三部作品作詳細的解說與分析。
      This papers contains an analysis of three original music works written by the author, explaining the author's creative process and creative thinking of these three works: the piano piece Diary, the string quintet Hearing Refraction and the electronic music Information Pollution.  The thesis consists of four chapters: the first chapter is the introduction, which briefly introduces the content, compositional process and methods, and literature review of the three works, and the next three chapters give detailed explanation and analysis corresponding to the three works.
    Appears in Collections:[Graduate Institute and Department of Ethnomusicology] Disserations and Theses

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