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    題名: 榮枯-呂嘉民水墨創作論述
    其他題名: Blooming and Withering: Discourse on the Chinese Painting by Chia-Ming Lu
    作者: 呂嘉民
    LU, CHIA-MING
    貢獻者: 視覺藝術與設計學系
    葉宗和
    YEH, TZONG-HO
    關鍵詞: 書法;現代水墨;生命;榮枯;
    calligraphy;modern ink painting;life;blooming and withering;Zen
    日期: 2023
    上傳時間: 2023-11-15 11:41:02 (UTC+8)
    摘要:   本文以植物花卉作為創作研究的主要對象,從「榮」與「枯」相對面向進行概念發想。每一種植物都有其獨特的符號與象徵意義,藉由水墨韻味與古今交融,以水墨畫筆來紀錄一場生命榮枯的自然之美。  本文以文獻分析、圖像學、藝術史與行動研究法,為主要研究方法。從自然觀、藝術觀與宗教觀來探討「榮枯」在不同層面上的啟發意義,以及所要表達的自然生命內涵,試圖重新詮釋水墨創作的多元性,並嘗試融入東西方美學,在畫面中帶來相互衝突的視覺空間表現,建構花藝、書藝與繪畫三位一體的多重感官視野,創造出突顯於表象之外的作品。  作品的表現形式上,以圖像符號、象徵意涵、技法運用、色彩表現等方法,讓研究主題在情感與意境中,發現生命的榮枯之美。研究結果在突顯傳統水墨與現代技法的相融性,以及禪美學的生活實踐。藉由文獻資料的蒐集與分析,了解禪美學在古今的發展脈絡與應用。透過水墨圖像的詮釋與生命經驗的連結,從研究創作實踐中,看見生命無常中的變化,進而學習「榮枯自在」的人生觀與豁達的心境。
      In this paper, flower plants are the main object of the creative study. The contrasting concepts of “blooming” and “withering” are the cornerstone of the creation. Each kind of plant has its unique symbol and symbolic meaning. By means of ink painting and the blend of the ancient and modern, the brush is used to record the natural beauty of life.  This paper takes document analysis, action research, and quality consideration as the main research methods to explore the enlightening meanings of “blooming” and “withering” on different levels from the perspectives of life, art, and religion. On the other hand, the meanings of natural life are expressed through these methods. In addition, this paper is intended to reinterpret the diversity of the creation of ink painting, and to integrate Eastern and Western aesthetics with a view to bringing conflicting visual expressions together in a picture, to construct a multisensory vision with the trinity of floral art, calligraphy, and painting, and to create a work beyond its appearance.  In terms of the form of expression of the artwork, various methods including visual symbols, symbolic meanings, technique application, and color expression are employed to explore the beauty of blooming and withering in life within emotions and artistic conception. The research findings highlight the harmonious integration of traditional ink painting techniques with modern approaches, as well as the practical application of Zen aesthetics in daily life. Through the collection and analysis of literature, an understanding of the historical development and application of Zen aesthetics in both ancient and contemporary contexts is obtained. By means of ink painting images and connecting them with life experiences, the research and creative practice allow for the observation of changes within the impermanence of life, thus fostering a life philosophy of embracing both prosperity and decline and cultivating broad-mindedness.
    顯示於類別:[視覺藝術與設計學系] 博碩士論文

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