康原是一位極為特殊的臺灣文學作家,他的作品跨越散文、報導文學、詩歌創作等,不僅數量龐大,而且極具個人特色。尤其是他的詩歌作品題材廣泛,舉凡親情、時事、動物、植物、俗諺與節氣等,幾乎無所不包。在他的詩歌中,有一系列的「囡仔歌」,除了極具童趣之外,也深富教育意義。其中的《逗陣來唱囡仔歌Ⅱ—台灣民俗節慶篇》共收錄了 45 首與臺灣民俗節慶相關的詩歌。康原在創作時以不同的手法將臺灣的民俗節慶典故、內涵等呈現在作品之中,以達寓教於樂的效果,是非常特別創作主題,值得深入探討。因此,本文將以康原的《逗陣來唱囡仔歌Ⅱ—台灣民俗節慶篇》為主,分析康原以詩歌書寫臺灣民俗節慶的目的、創作技巧等。 Kang Yuan is a very special Taiwanese literary writer. His literature span prose, reportage, poetry creation. Not only in a large number, but also with great personal characteristics. In particular, his poems have a wide range of subjects, including family affection, current events, animals, plants, and solar terms, which are almost all-encompassing. In his poems, there are a series of " Children's Folk Songs ", which are not only very childlike, but also full of educational significance. Among them, " Let’s Sing Children’s Folk Songs II—Taiwan Folk Festivals " contains a total of forty-five poems related to Taiwan folk festivals. Kang Yuan used different techniques to present the stories and connotations of Taiwanese folk festivals in his works in order to achieve the effect of entertaining and entertaining. This is a very special creative theme worthy of in-depth discussion. Therefore, this article will focus on Kang Yuan's " Let's Sing Children's Folk Songs II—Taiwan Folk Festivals ", and analyze Kang Yuan's purpose and creative skills in writing Taiwan folk festivals in poetry.