本文以「《而蓭詩話》中創作主體之理論內涵及其發用」為題，透過認知、性情與實踐三層，解釋《而蓭詩話》中之創作主體如何養成、發揚，進而落實為具有創造性之語言表現。進而發現，徐增在《而蓭詩話》中對於創作主體之建構，無疑是將傳統詩法視為原則，試圖綜合天份與個性判斷，自然而然，且無跡可求的展現出既符合外在形式規約，又超越傳統寫作模式的超級創作者。 This article is titled “Theoretical connotation and application of the creative subject in ‘Er Ruo Shi Hua’”. Through the three levels of cognition, disposition and practice, it explains how the creative subject in “Er Ruo Shi Hua” is cultivated, developed, and then implemented into a Creative language expression. It was further discovered that Xu Zeng’s construction of the subject of creation in “Er Ruo Shi Hua” undoubtedly regarded the traditional poetic method as a principle, and tried to synthesize talent and personality judgments. A super creator who is formally regulated and surpasses the traditional writing mode.
