南華大學機構典藏系統:Item 987654321/4637
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    NHUIR > The Journals of Nanhua University  >  >  Item 987654321/4637


    Please use this identifier to cite or link to this item: http://nhuir.nhu.edu.tw/handle/987654321/4637


    Title: 何良俊《曲論》中本色論的主要核心
    Authors: 張雅函
    Keywords: 北曲
    元曲四大家
    戲曲理論
    Date: 2009-07-01
    Issue Date: 2010-12-14 23:49:01 (UTC+8)
    Publisher: 南華大學文學系
    Abstract: 「本色」是中國戲曲理論中的一個重要概念。何良俊在《曲論》中提出「本色論」的要求標準—簡淡清麗有俊語、蘊藉有趣、音律協和等觀點，引起了當時曲家的激烈討論，沈璟、王世貞、徐渭、王驥德等曲家，不論是反對其「本色論」，還是繼承發揚其「本色論」的片段，都為中國戲曲理論創作發展做了貢獻。
    Relation: 文學前瞻
    9期
    Appears in Collections:[The Journals of Nanhua University ]
    [Department of Literature]

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