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| 題名: | 日治時期台灣殖民觀光意象之解構 |
| 其他題名: | Deconstructing Taiwan Imagery of Colonial Tourism in the Era of Japanese Reign |
| 作者: | 蕭肅騰
Hsiao, Su-teng |
| 貢獻者: | 亞太研究所
邱琡雯
Shu-wen Chiu |
| 關鍵詞: | 殖民觀光;文化再生產
colonial tourism;cultural re-production |
| 日期: | 2004 |
| 上傳時間: | 2015-06-16 14:51:36 (UTC+8) |
| 摘要: | 在殖民的脈絡下探討日治時期台灣觀光的開展，不僅是探討族群接觸而已，更是廣泛分析社會結構、文化變遷、場域的較量與力量的對話。從權力位階差序觀點探討日本操控台灣的殖民觀光，台灣殖民觀光的發展其實是日本殖民侵略政策的一環。 本研究所指涉的「觀光」，並非純粹定義人口從甲地移動到乙地所從事的休閒與享樂活動，而是指涉一種權力關係。施展權力的人與被權力宰制的人，並非只是單純兩者之間的關係而已；在權力宰制的背後，是更廣泛的知識、歷史、政治、經濟、社會的集體結構與場域的交互運作。殖民觀光議題的操作，背後正是這套結構交互運作的文化再生產。 殖民統治的日本人如何看待殖民地台灣的「土地」與「人民」？這樣的問題意識啟發了筆者研究的動機。薩伊德（Edward Said）在撰寫《東方主義》（Orientalism）一書時，大量引用殖民者的遊記與描述，解構了殖民者觀看殖民地的權力角度；借用他的研究方法，透過殖民當時日本人對於觀光台灣「土地」與「人民」的書寫，來解構權力的操控，成為筆者研究的目的。日治時期台灣殖民觀光的「南國意象」與「高砂意象」就成為日本殖民官員、文化精英、平民百姓集體創造、發明出來關於殖民地台灣的知識生產。 本研究解構台灣殖民觀光權力操控的目的，在證明權力運作的象徵性暴力無所不在。從共犯結構的觀點來看，宰制壓迫是多重的；殖民觀光的宰制結構對於原住民、女性的支配是逐層遞增的。日治時期台灣殖民觀光意識型態的文化再生產可說是共犯結構集體塑造的模式，也是一種包含殖民、觀光、原住民、性別等多重宰制的結構。這種多重宰制與共犯結構再生產的殖民觀光，使得台灣意象成為「東方主義」式的論述與想像。
Discoursing the touring operation of Taiwan under Japanese reign, we deal not only with the contact of ethnic groups, but also with comprehensive analysis of social structure, the changes of culture, the debates of champ, and the dialogue of power. Viewing from point of hierarchy existed in Taiwan under Japanese reign, the colonial tourism of Taiwan was linked with the Greater Asian Co-prosperity Sphere, a colonial invasion policy of the Japanese Empire.In this research, the tourism which I have referred not simply defined those people migrating from place A to place B, doing activities for the enjoyment of leisure, but indicating a power of relationship. That was not a simple relationship between those exerting the power and those ruled by it. Behind the domination, there were comprehensive structures of knowledge, history, politics, economics, society and the interactions between various fields. Therefore, such interactive structures emerged for operating colonial tourism can be called the re-production of culture. We want to investigate, when Taiwan was colonized by Japan, what’s the way Japanese gaze on land and people of Taiwan. The consciousness of such problematic activates my motivation for this study. Plenty of descriptions and traveling literatures written by the colonial power, quoted by author of “Orientalism” , professor Edward Said, could de-construct the perspective of the hierarchical orders under the colonial power. To adopt his tactics as my research method, through literatures of colonial tourism written by the Japanese, we can explain the mechanism of a dominating power, as one of my aims for this study. Therefore, the imagery of a southern country and the imagery of the Taiwanese aboriginals would constitute the common Taiwan imagery of colonial tourism under Japanese reign, which is the production of knowledge about the settlement of Taiwan invented by the colonial offices of Japan, its cultural elites and the ordinary Japanese people. This article aims at deconstructing Taiwan imagery of colonial tourism under Japanese reign to prove that the symbolic violence of its operation of power is existed everywhere. View from point of the constructing of accomplice, Japanese domination and oppression is very pervasive, since domination of the aboriginals and women in colonial tourism was progressively increasing. The cultural re-production emerged out of colonial tourism in Taiwan under the reign of Japan can be called the structure of accomplice, which was dominated by multi-pressures including colonialism, tourism, ethnics and gender. The culture of colonial tourism emerged from the foresaid re-production of multi-pressures and accomplice, which would bring to the imagery of Taiwan as a reflection of the discourse and imagination of E. Said’s Orientalism. |
| 顯示於類別: | [國際事務與企業學系(亞太研究碩士班,公共政策研究碩士班,歐洲研究碩士班)] 博碩士論文-亞太研究碩士班
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