| 摘要: | 清言，屬小品文的一種，自魏晉之後在明清之際亦風行一時的文體，著名的有屠龍《婆羅館清言》、洪應明《菜根譚》、陳繼儒《小窗幽記》、張潮《幽夢影》等都是大家耳熟能詳，膾炙人口的作品。 明代鄭仲夔所著《玉麈新譚》中《清言》十卷部分，是繼元代何良俊《語林》一書之後，仿「世說新語」體例編寫而成。《清言》十卷內容共三十六篇，始於德行終於仇隙，587則的故事，與「世說新語」三十六篇篇名完全相同，是後人甚少人提及的作品，僅蒐錄於《四庫全書》中。 本文要探討的是鄭仲夔《清言》十卷中的第二十一篇《巧藝》，十三則的故事，內容評論、讚歎從西漢到明代之間琴、棋、書、畫、雜技、武藝高強堪稱一絕的名人仕宦，或民間的奇聞軼事，甚至帶有幾分傳奇色彩，每則皆以精簡字句或寥寥數語敘述，缺乏完整內容，有些牽涉到歷史意義，須尋根究底才能真正了解文中之意。 第一章緒論說明研究動機與目的，以及參考資料專書、期刊文獻、學術論文等，最後是研究方法和章節架構。第二章則以作者鄭仲夔的家世背景、文學成就，探討《清言》成書的時代背景、文學思想，最後論及「巧藝」溯源與發展過程。第三章進入本論文主題《清言．巧藝篇》的探究，以巧藝篇十三則分別分析琴、棋、書、畫、雜技等藝術精神與美善。第四章論《清言．巧藝篇》的價值以及對後世的影響，並與《世說新語．巧藝篇》做一比較以了解兩者文學特色，再談《清言．巧藝篇》的人品與作品相符的重要。第五章結論，為本文研究成果做一總結，肯定《清言．巧藝篇》的文學與藝術價值。
Qing Yan, a kind of familiar essays, had been a kind of prevalent genre in Ming and Ching Dynasty after the Wei, Jin and Northern and Southern dynasties. The masterpieces are as the following: Tu Long “Poluo Guan Qing Yan”, Hong Yingming “Cai Gen Tan”, Chen Ji Ru “Xiao Chuang You Ji” and Zhang Chao“ You Meng Ying.” After researching on classic Chinese literature, the one found that “Qing Yan“listed in 《Yu Zhu Xin Tan by Zheng Zhong Kui》, is the book made up with the same style of “Ａ New Account of the Tales of the World” after He Liang Jun's “Yun Lin.”The Essay aims to focus on “the Art of Proverbial Style”in“Qing Yin by Zheng Zhong Kui.”In these third articles, they depict versatile celebrities, politicians, folktales and leniencies from West Han Dynasty to Ming Dynasty. However, owing to the usage of simple sentences or few-lines depiction, only when researchers inquire thoroughly into the contents can ones comprehend the accurate meaning of incomplete phrases, or unclear historical segments. Simple words, and easy phrases help modern people scour their spirits. The first chapter-Introduction- talks three aspects: my study plans and purpose, the references, periodicals, academic essays that I am about to use in the following chapters, and my methodology and outlines. In the second chapter, I firstly focus on the family background, literary achievement, of Zhen Zhong Kui, secondly discuss the history background, literature thoughts of “Qing Yan”, and thirdly the origin and development of “the Art of Proverbial Style.” In the third chapter, I put my focus on discuss the main topic “the Art of Proverbial Style in Qing Yan.” I will make analyses on the art spirit and beauty and charity of qin, chess, books and paintings. Chapter four will depict the value of “the Art of Proverbial Style in Qing Yan” and how it influenced on the later generations. As well, I made a comparison on the literature features on “the Art of Proverbial Style in Qing Yan and in A New Account of the Tales of the World.” Then, I present the importance of how personal character traits match works. In my fifth chapter, the last chapter, is my conclusion. I will make a confirmation on the literature and art values of “the Art of Proverbial Style in Qing Yan”. |
